The view from the back row ...

Baritones rehearsing... Of sorts... Only one month to go...

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Movies: W

It was funny to see at the end of Oliver Stone's movie about the failure known as George W Bush's Presidency the words "the end". Bush is still in office, but the movie serves as a comforting reminder that not only is he a lame duck, but that the end of a weird eight years is nigh...

It also is a reminder about the collective administrative and leadership failure over eight years. Iraq is at the forefront here but any number of the administration's policies could have been used. The movie portrays Bush as a likeable guy in a struggle for approval from his father. Unlike previous Stone biographies, you don't really care whether this is accurate as there is too much pleasure to derive from the knowledge that this analysis is bound to piss off the Bush family...

Josh Brolin is great in the title role, but it is a pity that the other actors seem to be more playing dress up than developing characterisation. And what is going on with Jeffrey Wright's eyebrows? I didn't know Colin Powell used tweezers? We also don't get much insight as to why he was popular and won two elections... I guess it probably serves as a reminder that it is entirely plausible given the options the American people would not hesitate in electing a likeable but stupid guy again in future... Now there's a happy thought...

Theatre: Blood Brothers

I mentioned earlier this year to Grant and a few others in the chorus, that I had not seen Willy Russell's musical, Blood Brothers. The reaction to this statement was like one of those scenes in a movie... You know like in a western, when a stranger walks into a bar and the music stops, people gasp, and everyone looks up and stares... I was committing musical heresy apparently, even if a show about two guys who turn out to be brothers and then die wasn't high on my list of things to see...

Well Grant was determined to rectify this oversight, so on Friday I found myself at the Phoenix Theatre where this show has been playing for a very long time... Blood Brothers tells the rather melodramatic story of two twins separated at birth. They grow up only knowing each other as friends and one goes to Oxbridge and becomes a Councillor, while the other goes mad (some may be confused about whether there is much of a contrast here). Eventually thanks to the love of a girl and shoes on a table (lucky it wasn't wire hangers), it all ends in tears.

I was told that I would be a hard man to not to be upset by the ending. Well throughout the show I was upset by loads of things such as the lack of characterisation, the entire role of the narrator and his dirty shoes (a downside of sitting too close to the stage) and the constant spelling out in big letters the class differences (which is done a lot better in Billy Elliot). But what saves this show is the central character of the mother Mrs Johnstone.

Grant was disappointed that one of the Nolan sisters wasn't performing as Mrs Johnstone, since over the years I think every single one of them has played this role. But we got something far better. We got last years X Factor finalist Niki Evans. Evans came fourth in the show last year. She seems so perfect for this role and gave this show the lift it needed. Evans own story as told on X-Factor last year was emotional enough. She was working as a dinner lady before going on the show last year. But it is not just her story and her pitch-perfect singing that makes her interesting. It was also her ability to deliver the most incredibly emotional performance, that had the audience on its feet cheering her at the end. Here's hoping that we see more of her on stage in the future, as she was nothing short of sensational.

It is always possible to get good discounts to the show, and the show is worth catching while Evans is in the run... Even the most jaded theatre-goer would be hard not to be impressed by this turn...Then again I am always a sucker for stunt casting...

Hot news this week in London...

parking row turns ugly, originally uploaded by Yersinia.

Don't mess with Sevenoaks drivers...

Opera: Aida and For You

The weekend before last turned out to be a bit of an opera fest. I went with Patrick on Saturday night to see Aida at the ENO as he liked a bit of grand spectacle on a Saturday night. That Saturday was so cold and wet I had not dared venture out all day so going to see this rather brightly coloured production of the show certainly felt like a sensible antidote to such a grey day... This production was first staged last year and while the directorial choices are not to everyone's taste I thought it was interesting enough... It runs until later this month... I am trying to get Patrick to write an opera blog as he has far more witty lines about Opera productions than I do as I suspect he has seen every opera staged in London over the last twenty or so years... He has only just got an MP3 player though so the blogging concept might be a bit too new media for him right now but we can only hope as opera writing needs some laughs...

Anyway not content with just Aida on Saturday, on Sunday I found myself at the Lindbury Studio at the Royal Opera House watching the new opera For You by Michael Berkeley and Ian McEwan with some boys from the chorus. Patrick warned me the night before that the opera was a bit like an episode of Midsomer Murders without the trashy ITV commercials... And with a mostly difficult score by Berkeley...

Still, anyone that can get high notes from "general anaesthetic!" in the libretto certainly can do a few tricks... And the scene of the big soprano humping the lead and then putting on her knickers in full view of the stalls (we were in the circle) certainly left an impression on me... The other guys with me had trouble staying awake watching this show as they didn't care for the characters, the plot, the libretto or the music. But on the whole I didn't mind it. If only the surtitles could be seen from the upper level... Next time I will bring my opera glasses...

On Clapham Common

A mass gathering to see the fireworks go off on Wednesday evening... Well... The free show always packs the punters in... Mad scenes of people on the surrounding streets ensued...

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Scenes from rehearsals Tuesday...

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Hot news this week in London...

BBC In Sex Prank Apology, originally uploaded by LinkMachineGo.

Everyone loves a beat up... Just the thing to take your mind off the economy tanking, poor leadership and the like...

Theatre: Piaf

The dazzling and brilliantly acted Piaf is now playing at the Vaudeville Theatre after its sellout run at the Donmar Warehouse. It looks great, the songs are great and the performances by everyone including Elena Roger are sensational. Roger may not look like Piaf (hey, who would want to?) but she manages to channel Piaf when she sings that it is a thrill watch. The men in the cast are also quite (phwoaaar!) fit as well which was a little surprising. Many of them could easily play Clark Kent if they were ever going to revive that Superman musical. Obvious in Piaf's day it was important for her men to take their vitamins. Maybe that is why they were such bad drivers... That's all the good stuff about this production...

Now I was supposed to see Piaf back in July with the Whingers, however on that day I was hurling my guts up. After seeing this gritty production where people have sex on the cobblestones (owch) you just want to go into all these gory details. Pam Gems has reworked her original 1978 text for this production which has seen some scenes such as Piaf urinating on stage cut. Still, there are enough utterances of "fuck" and "cunt" to keep reminding you Piaf was a whore from the gutter. Each time a filthy word was said I could hear two little old ladies behind squeal and wheeze. It can be a cruel show... Not just on Piaf but the audience too! But what was worse was that despite all the reworking of this play... It still sucks. Episodic and full of dull dialogue it left me torn between liking the show on the strength of the performances to loathing it due to the script. There were also loads of tricks to jazz up and improve the pacing with lighting and sound effects... But in the end it is a bit hard to hide the fact the story is a dog...

Then again the strong point of this piece has never been the story but always the performance of the actor playing Piaf. It's just to bad that the recent La Vie en Rose managed to show Piaf's life was more than just a series of car accidents and morphine hits. I guess you can't have everything... Still worth checking out and it runs through to January...

Movies: Burn After Reading

Sunday evening I caught the Coen Brother's latest film Burn After Reading. For me it was a great film where cock-ups and sex rather than conspiracy drives the world. Some people leaving the Barbican afterwards were commenting that "it was just farce"... As if that should be a problem with the film... Well I guess these are serious times we are living in but they are also f***ed up enough as well to appreciate a laugh... Particularly when there is a potty mouthed John Malkovich on screen...

Frances McDormand's attempts to get automated voice recognition service of her health insurer to understand her voice reminded me of my attempts to pay my EDF energy bill. In the end I gave up speaking the commands to it and made up my own less than complimentary ones. I always enjoy the parallels with real life. Of course the film wasn't all the real deal... She worked in a gym where all the instructors were over 40... What gym would ever do that???

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Another inflated story, originally uploaded by tonypraxis.

Well... Nobody is buying 'em... Nice fashion shoot in the background too...

Overheard at the gym Sunday

Man #1: But what about (whisper whisper)?
Man #2: No that's beef bourguignon...
Man #1: But then isn't that (whisper whisper)...
Man #2: No that's stew and it's much more watery...
Man #1: Oh I thought it was stringy...

Scenes from the British Museum Saturday

Scenes from the British Museum Saturday, originally uploaded by Paul-in-London.

Hmm... Nice golden ass...

Saturday at the British Museum

A little bit autumn...

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Scenes from the back row rehearsal

The last two weeks the LGMC has been rehearsing at a school at the Barbican which what it lacks for space to socialise it makes up for convenience of getting home afterwards... While we have been busy beavering away at rehearsals the shows have been selling well... So much so that there is now a Saturday matinee on sale now...

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