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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

People: Leslie Caron

Tuesday evening last week I managed to get very close to Leslie Caron. It was at one of the National Theatre's platform events where they talk about somebody and there is usually a book signing involved. Old queens, people close to death or a combination of the above seemed to make up the audience. Although there was one guy who took up two chairs that was definitely younger than me there... He sat two over and oohed and ahhed at everything she said as if he were her number one fan...

Anyway, Leslie Caron was the woman who at 16 danced with Gene Kelly in An American in Paris and then went on to be a star in her own right in films such as Gigi and Lili. She now runs a bed and breakfast outside Paris and has written a book about her life. She hasn't given up entirely on acting. She recently won an emmy for appearing in Law and Order: Special Victims Unit and will be appearing in Paris next year in a production of A Little Night Music. It was interesting listening to her as she talked about her life and how it didn't quite work out the way that she always planned it, that she always managed to make the most of it... Of course, talent and ambition probably had a lot to do with it as well. Best line of the evening was confirming that Maurice Chevalier was more or less (well using a few more polite words anyway) a bastard.

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