Theatre: Four Dogs And A Bone

Thursday evening was an opportunity to catch Rock 'n' Roll Theatre's production of Four Dogs And A Bone at the Phoenix Artists Club.

The play, by John Patrick Shanley (of Moonstruck and Doubt fame), focusses on the business of Hollywood, the backstabbing and shenanigans that go on to get a film made. It is a dark world where bond completion companies, sexual favours and lecherous producers rule.

This piece which runs a little over an hour focuses on two actresses appearing in the film. One is an established theatre actress, Collette (Laura Pradelska) who does not want to become a character actress. The other is Brenda (Amy Tez), an up and coming performer so desperate to be famous she chants daily for it... Each know that slight changes to the script could improve their career prospects remarkably. They enlist the support of the writer and the producer to help secure their aims, with sometimes comic and always engaging results.

The Phoenix Arts Centre, with its low ceilings, ageing theatre paraphernalia and unique artsy smell provides and excellent location for this little show about the seedier side of movie-making. There isn't anything particularly new Shanley's play is saying about the movie business, but with this cast the piece is funny and mildly disturbing. If you are into fringe theatre, it is a funny (and short) night out at the theatre that is hard to beat...

Architecture and Art: Summer Pavilion at the Serpentine

This year's summer pavilion at the Serpentine Gallery is a hot noisy affair... Imagine a spaceship has landed in Kensington Garden (albeit one made out of wood) and is about to take off with various plant samples... While Peter Zumthor may have had in mind a tranquil garden and oasis from the rest of the park, in reality the noise is just amplified to unbearable levels with the hoards of people inside. And on a warm day it just feels so much warmer... Still the temporary concrete pathways leading to it are lovely.

Tranquility is better found inside the gallery with Italian artist Michelangelo Pistoletto's exhibition The Mirror of Judgement. It is  a meditation on religion and faith amongst cardboard and mirrors... It runs until 17 September and is worth a look... Free too...

Theatre: Four Nights in Knaresborough

A play about the men who assassinated Thomas Becket, the Archbishop of Canterbury, in 1171 seems an unlikely source of an entertaining night. But this production at the Southwark Playhouse of Four Nights in Knaresborough is so sexually charged, so pumped up and full of machismo and so bloody and funny that it is hard to resist.

Opera: Cendrillon

Cendrillon at the Royal Opera looks great and has a great cast. Joyce DiDonato in the title role is a delight as the strong willed Cinderella. Eglise Gutiérrez as the fairy godmother looks like she would be as much at home on the stage of Priscilla Queen of the Desert as she would at Covent Garden (although she sounded a lot better of course)... She looks like she is having fun waving her wand and watching the magic unfold...

Alas the opera is heavy going for a fairy tale. Part of the problem is that telling the story of Cinderella for three hours requires some memorable music and some frightfully comedy. The direction is somewhat inspired and wrestles out as much comedy as is probably possible. This includes a very wicked Ewa Podles as stepmother. But what is left is a piece that could do with some merciless editing, and perhaps removing a subplot, trimming an aria (or two) and one of the ballet sequences... That would probably make it not just family friendly, but friendly to everyone...

It is also rather brave to stage a show in the summer in this country called Cinderella. I've noticed that people tend to insist (although less so for Rossini's La Cenerentola) that anything called "Cinderella" just has to be a panto and will stubbornly refuse to attend unless it is around Christmas... But it would still make a sensible evening out... There is also a BP Summer Screens presentation of it on the 13 July, so there is a chance to try it before you buy it completely too...

Opera: Madama Butterfly

Madama Butterfly (appropriately subtitled "Japanese tragedy in three acts") is a little too dramatically obvious, and musically unsatisfying. But the performance by Kristine Opolais as Cio-Cio-San is the sort of dramatic and powerful performance that this piece needs and she had the audience cheering for her on Saturday night. It is all high melodrama and her transformation from a meek and feeble fifteen year old girl, to a woman rejected is incredible and really fleshes out this minimalist production.