Theatre: Master Class

A passion for life (and music) is certainly a message loud and clear from this revival of Master Class, Terrence McNally's play about the original opera super star Maria Callas who is running a master class for aspiring opera singers. Inspired by the classes she ran at the Juilliard School in New York in the early 1970s, she alternates between being repulsed and intrigued by her students and then caught up in how their performances evoke memories of her past glories.

The play is an opportunity to see Tyne Daly on stage and she delivers a commanding performance as the no-nonsense diva. Dominating, witty with impeccable timing and occasionally vulnerable, her performance is something to be savoured. And it distracts you from being too bothered by some of the other quirks of the material such as occasional overlong scene and superflous characters.

Naturally anything about Callas is going to bring out her groupies en masse (including a variety of homosexual types), but you don't need to be gay or know much about opera to enjoy a story about making an entrance, getting a look and doing things with purpose. The play at its best is an education and an experience. Of course it could all end in tears and you lose your voice prematurely and die of a heart attack at 53, but never mind that. Don't miss it..

 

Concert: New York Philharmonic at the Barbican with Joyce DiDonato

It is easy to appreciate the music of Berlioz, Ravel, Stravinsky and English Born composer Thomas Adès when it is the New York Philharmonic performing. Part of their residency series at the Barbican, Friday night was an opportunity to be wowed by some impressive musicianship and a passion for music.

You know you're in for something a little bit different when you notice that after taking your seats you're surrounded by various members of the brass section. This was for Adès piece Polaris which had its European Premiere and was a joint commission with the Barbican and New York Philharmonic. It was an intriguing and hypnotic piece, although depending on your proximity to the off stage brass may have swayed your views on it (as no doubt you would not have heard much else). The above video shot for its premiere in New York gives some context to it

The rest of the programme featured Joyce DiDonato in Berlioz’s song cycle Les nuits d’été which gave a delicate and light touch to the proceedings. The concert concluded Stravinsky’s brassy Symphony in Three Movements and Ravel’s mildly erotic (but definitely evocative) Daphnis and Chloe Suite No 2.

Naturally the audience wasn't going to let things rest there and two encores ensued. A great varied programme and a night to remember.

(Silent) Opera: La Boheme

As part of the Vault Festival, which transforms a series of interconnected tunnels underneath Waterloo Station into something theatrical and fabulous this month, I caught a packed production of La Boheme by Silent Opera with @Johnnyfoxlondon.

Like other companies, Silent Opera is about taking operatic masterpieces and adapting them into modern settings. What makes them unique is that they tap into the iPod generation and use headphones to place the performers and the music in real life and odd spaces. The former National Rail plans and drawings archive must fit the latter. With a mix of levels, false ceilings, grimy floors and porta-loos, it is a far cry from the Royal Opera.

Events: Snow Patrol at the O2

One of the great things about London is the range of sensible and not so sensible events on offer at any time of the year. All you need is a decent London Guide to start planning things. A frosty Saturday evening seemed very appropriate to catch Snow Patrol's second of three sellout concerts at the O2.

Snow Patrol are best categorised as an alternative rock group from Northern Island via Scotland (where they originally formed), but they have evolved to be firmly in the mainstream fare and ensuring mega stardom. That isn't such a bad thing as an audience of 15,000 singing (surprisingly in tune) the chorus of their song Run is certainly an experience to take in. It is also amazing to see the glow from hundreds of camera phones across the venue recording footage like the clip above. Given you can't smoke indoors anymore, they are the modern equivalent of the lighter wave.

Opera: La Traviata goes East Londonistan...

La Traviata which is playing Upstairs at the Gatehouse is a surprising treat. One of the most loved and most performed operas with its beautiful music and fully developed characters, in the Gatehouse's intimate space becomes an intensely emotional affair that has the audience alternating between sobbing and cheering.

This is the same company that presented the economic production of Troy Boy last year. Again by Kit Hesketh-Harvey, this new translation and adaptation moves the action into the heart of cosmopolitan East London. Well the part where there are dodgy burlesque clubs and marriages that still need to preserve reputations.

Moving and updating the actions opens up a whole range of  possibilities. Sempre Libera now includes a lap dance on one lucky audience member. Since Anna Jeruc-Kopec who plays Violetta has a great set of legs to match her set of lungs, it came as no surprise when she started to get a good mauling by the audience... They can be funny like that in Highgate.

Theatre: Absent Friends

Wednesday evening was an opportunity to catch the latest revival of Alan Ayckbourn's frightfully witty comedy, Absent Friends, which is playing at the Harold Pinter Theatre. There is something about this play that has enduring appeal, even now as a period piece. It takes a particularly English setting of an afternoon tea party and slowly twists it. It is funny and occasionally surprising which makes for a great night out.

The story focused around a tea party organised for Colin (played by Reece Shearsmith), who returns to visit his circle of friends after the death of his fiancee. For a variety of reasons, his friends are more anxious about how to deal with the situation than he is and so the play explores the very English way people deal with grief and loss, infidelities and lost dreams.

Overheard at the gym Tuesday

Man #1: She now has a dog
Man #2: What sort?
Man #1: It's a poodle. A little one. And I don't want it pissing all over my flat.
Man #2: They do that you know. They piss everywhere. And shit...

Theatre: The Pitchfork Disney

Wednesday night I was fortunate enough to see the first preview of The Pitchfork Disney at the Arcola Theatre in Dalston.

It is a mildly unnerving post-apocalyptic tale of dreams, nightmares, chocolate and things that bug you... Nothing is quite what it seems in this play. And through a series of monologues, there are laughs and shocks. It is hard to talk too much about the play without giving it away. But it is a showcase for some very talented actors.

Chris New - who was in the well-received movie Weekend - gives an intense performance as Presley. He is great to watch along with co-star Nathan Stewart-Jarrett (pictured) as Cosmo Disney. Both manage to make their crazy roles believable and interesting in as much as that is possible. Rounding out the cast is Mariah Gale and Steve Guadino...

Philip Ridley's play celebrates its 21st anniversary this year. While it may not be as shocking to audiences now as it was then. It does have a certain unnerving quality that remains, and this production does show the work at its best. The creepy theatre space of the Arcola - where there is a fine line between the ghosts of past industry that inhabited the building and organic beers - also adds to the tension.

It runs through to March. The musings of @johnnyfoxlondon and I follow (with apologies to Webcowgirl as she was stuck in the line for the ladies while we were boo-ing - or she was hiding somewhere after being disturbed by the show - I was not sure)...