Tuesday, April 17, 2012
Heading the cast as the cad Don is Baritone Duncan Rock who has a voice to match his body... It's big. He has appeared at Glyndebourne, British Youth Opera, Opera Holland Park so he isn't just there to be pretty but he is central to making this show work so well.
With a book is by David Collier and lyrics by Ranjit Bolt this update has Don living as a yuppie in 1980s London where the sex, coke and boys are all one thing... Easy. There is also some inspired costumes including a very tight set of gold lame pants worn by one of the men. It's funny and amusing without too much dwelling on the gay gore for straight members or those curious about opera. There is also a lovely interpretation of hell and damnation for this modern Don.
Monday, April 16, 2012
There are people out there that would watch a talented actress read a phonebook. Gross Und Klein is a new translation of Botho Strauss's 1978 play at the Barbican comes close to this experience. Direct from Sydney Theatre Company and headlined by Cate Blanchett it is the unravelling of a woman's life after her husband leaves her.
The play starts off well with Blanchett's character overhearing conversations from a hotel window in Morocco. It's a wonderful monologue that brings out many of the themes of the play. But unfortunately it doesn't go anywhere. Is it in her mind? Did her husband leaving her unravel her life? Is she alone? Is she depressed? We don't really know.
What follows for the next three hours is a series of scenes about isolation, loneliness, detachment and mental breakdown. Some of them are pretty, some of them creepy. But none offer much insight or are weirdly imaginative enough to sustain interest in this epic. Blanchett runs the gamut of facial expressions and actorly movements... She is attacked by a camping tent... She wrestles a fat girl having convulsions in her underwear... There is even an old man with a flaccid penis. It is all no doubt intended to provoke interest but it was hard to stifle the yawns.
The only time something happens is when a scene stops (ends) and the lights go out. The music is pumped up and it is a cue for the actors to move the furniture about on stage. It is the only time anything really happens and it makes you wonder whether the actors trained at NIDA or Pickfords.
The current translation with an Australian cast with broad Australian accents also evokes some unexpected thoughts. Does living in rude and vulgar 1970s West Germany really seem to be so similar to living in present day Australia? It appears so.
The joke is probably on the audience for going. But given the star turn it will be hard to resist. It runs through to the end of April and then tours Europe. If you dare...
Saturday, April 14, 2012
The process of dying in a Swiss assisted suicide clinic is detailed, efficient and bureaucratic as told in An Instinct For Kindness, currently showing at the Trafalgar Studios. Chris Larner's monologue based on his real-life observations and experiences in dealing with his former wife illness and eventual death is a sad tale but also has enough observations and surprises to keep you engaged.
At 70 minutes long it is not a long journey. And Larner's ability to keep things funny and give a fresh take on pain, processes and the emotion of it makes for an enjoyable and contemplative night out at the theatre. This production was first at the Edinburgh Fringe and so it is good to see that it is now touring. It runs at Trafalgar Studios until the end of April.
There are post show discussions as well if you like that sort of thing. @Johnnyfoxlondon and I decided to pass on the Rabbi who was speaking after the show on the night we went in favour of a boo...
Thursday, April 05, 2012
It is a wonderful production of Mike Leigh's play with and excellent cast. The star of the show is really the authentic recreation of suburbia 1970s, which for both Feroze and I brought back happy memories of our childhood - complete with leather look lounges. The cast which includes Jill Halfpenny as party host extraordinaire Beverly and Joe Absolom as Tony.
The story is fairly straight forward. They drink, they smoke, they drink, they argue. They drink some more, smoke some more and argue more. What its all about and the point of it all is another matter but it is very funny. It also serves as a reminder that you don't have to watch Mad Men for a retro fix.
You can register on their website for interest in an extension to the season or a possible west end transfer. The production deserves a longer outing. Current run is scheduled to end 21 April.
The views of well fed and front row passive smokers are as follows...
Monday, April 02, 2012
This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...
Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.
Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the motivation of Gilda, Rigoletto's daughter who is hopelessly in love with the Duke. And Ekaterina Siurina sounds and looks lovely. It runs through April. If you can't get to the House, there is always the live broadcast on 17 April...
Sunday, April 01, 2012
In October it will be fifty years since The Beatles released their first single ‘Love Me Do’. While scary to think that anyone now who remembers the sixties is ready for retirement (or near death), London’s Prince of Wales Theatre will welcome Let It Be, a new West End production featuring many of The Beatles’ greatest hits from September 2012.
The show is a theatrical concert and the first West End show with full rights to the Beatles' catalogue. The Prince of Wales theatre is also the site of the fab four's legendary Royal Variety performance, featured in the above clip. Tickets are on sale now. Mamma Mia, currently playing at the Prince of Wales theatre, moves to the Novello early September.
Wednesday, March 28, 2012
Tuesday, March 27, 2012
The Sunshine Boys opens at the Savoy Theatre towards the end of the April and a new picture of Richard Griffiths and Danny DeVito is out of the duo...
Neil Simon's classic play is about Al Lewis (Griffiths) and Willy Clark (DeVito), a vaudevillian team who grew to hate each other. They are reunited for a television special which is a cue for grumpy old men-type shenanigans.
Griffiths and DeVito certainly look the part, albeit with possibly better dental hygiene than real vaudeville stars... It starts previews from April 27...
Wednesday, March 21, 2012
Based on The Servant of Two Masters by Carlo Goldoni, the action is updated from the renaissance to 1960s Brighton with songs by Grant Olding. The update works well with the mad plot and storyline and the costumes and set look great. The music and performance by the resident band "The Craze" gives things and added touch of class.
Keeping the insanity together is former understudy to James Corden, Owain Arthur, as Francis Henshaw. He manages to make the part his own. Sitting in spitting distance to the stage (his spit not mine), you could see how bloody hard he was working for the laughs. And it always helps when the audience members he calls on for the moments of audience participation (or should that be audience lubrication since it does get everyone in the right sort of mood?) give him plenty of material to work with. His rave reviews have not gone unnoticed in his homeland, but one also suspects a new star is in the making as well...
This show has all the elements of a great farce and there are some wonderful moments of physical comedy that will have you in tears of laughter. If you want to analyse it all, there is a chat this weekend with Tony Robinson to do that, otherwise strap yourself in and go for the ride.
And gentlemen... Not that I want to give anything away... But if a gorgeous, hot, single babe sits next to you and starts chatting you up... All may not be what it seems. Which is just as well if you have your own date on your other side.
Don't miss it, or perhaps see it again to catch all the lines you were too busy laughing over to hear...
One Man Two Guvnors is playing at the Theatre Royal Haymarket. Day seats available from 10am and there is a tour scheduled for later in the year.