Thursday, May 31, 2012

A bit of syncopation and history: Ragtime


Ragtime the musical is currently playing at Regent's Park Open Air Theatre. It's an epic musical based on E.L. Doctorow's novel that charts the tale of three families against the backdrop of the change, family, immigration, racism, strikes and unrest at the turn of the last century in America. It's an exhausting and exhilarating history lesson set to the music of ragtime, a genre of music that is predominantly recognisable for its syncopated rhythms. It was popular during the period, but then eclipsed by jazz and largely forgotten until a 1970s revival.

Of course it is neither the period nor the music that hits you first when you take your seats. The first shock is that the set which looks like a bomb has gone off. And for a story set in 1906 it all seems very contemporary. There is a poster from Obama's 2008 campaign proclaiming "Dare to Dream" towards the back with a gaping hole in it. In front of the hole is a pile of junk, dust and rubbish as if had exploded out from the sign. It does not look pretty, but it is incredibly evocative of not only more recent events such as 9/11 but also of the themes that prevail throughout the piece around change and the creative destruction of American capitalism that builds, renews, destroys and builds again.

Atmosphere aside, for an audience member who is not intimately familiar with American history (or the 16th century German historical figure Han Kohlhase - who is the inspiration for Coalhouse Walker), it's a clever way to draw you in. And as the light fades over Regents Park and the bird calls get louder (and the odd helicopter flies overhead) it works very well. Welcome modifications to the stage area brings the action into the audience and in your face. I had a buttocks eye view of actor Joshua Lacey as he dropped his trousers to commit an act of vandalism in the first half. There are other grander spectacles involving a flat top crane including Katie Brayben as Evelyn Nesbit on a giant swing and Stephane Anelli as Harry Houdini escaping from a straight jacket suspended upside down.

The story is somewhat melodramatic and there is enough material for a 12 part television series rather than a three hour musical. As an audience member you feel the weight of history on your shoulders and you feel like it is slapping you about a bit with it too. But the melodrama and the music keeps the story together, particularly as the three stories come together in the second act.

In a piece this big, voices to match the epic scale are required. But thankfully it isn't all big showstopper numbers and there is a number of delicate performances that add some welcome shades of grey to the proceedings. Rolan Bell as Coalhouse Walker (pictured above) performs with a mix of charisma, charm and a bit of terror. His final number, "Make Them Hear You," is not shouted out from the rooftops treetops but delivered quietly making it more of a spiritual event.

It won't be to everyone's tastes as the audioboo with @Johnnyfoxlondon below suggests, but it is one fascinating and contemplative night out at the theatre. And you would be hard pressed to find a more passionate and rousing performance show in London at the moment. Dress warmly and go. It runs until 8 September alternating with A Midsummer Night's Dream and tickets are available the usual outlets.

listen to ‘Late night boo: Ragtime’ on Audioboo

Tuesday, May 29, 2012

The night that was: At the theatre with Love Bites

Sunday night was an opportunity to catch a series of short one act plays - or as @johnnyfoxlondon and I liked to call them in the Audioboo below, snatches - at the Southwark Playhouse called Love Bites. It was one night only which was a shame as it was a lot of fun could do with running over a few Sunday nights for when people are looking for something strange and interesting to do.

The concept has been running for a few years and has produced over thirty new one-act plays. But this was my first Love Bites, which also was also a best of collection of the material so far. Some are self-contained stories, some are monologues and some could potentially be other stories. It is a great little concept that is simple and very entertaining. The writing was great and the works presented had something funny to say about the art of love. There were also a few surprises in store in some of the pieces. But best of all is the opportunity to see new work being tried out in a simple yet slick presentation with a talented group of actors.

Here is hoping that there are many more nights at the theatre involving Love Bites.

listen to ‘Interval boo: Love Bites’ on Audioboo

Wednesday, May 23, 2012

Plays on tour: Is there a (script) doctor in the house?


Doctor in the House has been doing the rounds of major centres this year and is playing at Richmond Theatre this week. Comedian and I'm a Celebrity Get Me Out of Here winner Joe Pasquale plays the lead but he does not quite get the opportunity to let rip as much as you think you think he could or would like to. It's less laugh out loud and more smirk occasionally. Very occasionally. The material has been reworked from its source material and it seems to be missing any sense of bawdiness and adventure that could have made this a bit more fun.

Pasquale describes in the above clip that the show will make you come out of the theatre feeling like you had a little hot water bottle down your pants. Well there was a warm feeling in the theatre but it could have been due to the ambient temperatures outside. The cast try their best with the material they have, the set is lovely albeit a bit static since its the same awful med student accommodation in every scene (think Ladykillers off steroids). And of course any show where a moose head dispenses beer isn't totally the pits... But still...

It's at the Richmond Theatre this week and like a norovirus continues to run through cities across the land... Audioboo with @johnnyfoxlondon follows...

Pain and passion: Cantina


The London Wonderground on the South Bank is currently playing host to Cantina, an Australian circus production that is unique in its blend of theatre and physical performance with a lashings of pain. Actually, a lot of pain. Broken glass, high heels, broken limbs feature so prominently it could be billed as the Cirque De Sade if that wasn't already the name for a fetish night in Canada.

The production manages to take the circus act and make it new by becoming sexy, violent and painful. Is it real or is it escapism? It is hard to tell but it is awfully enjoyable and classy night out full of laughs and some genuine surprises that will have audiences gasping.

Monday, May 21, 2012

Feel it, smell it: Leather Forever

Burlington Gardens is the home for an intriguing and beautiful exhibition by Hermès called Leather Forever. It celebrates the art of making products with leather along with showcasing some of the beautiful products made by the company over its 175 years.

There is the opportunity to feel and smell different leathers and watch the craftmanship in action working with the material. With a mix of lighting effects and different set pieces to compliment their range of products, it is at times an interactive experience and there is even a moment when you can be caught in a leather curtain. A lovely diversion that will have you wanting to head to the gift shop... If you know there is one just around the corner...

The Leather Forever exhibition is open from 10am to 6pm daily and admission is free. It runs through to 27 May.

Friday, May 18, 2012

Opera and horseplay: Falstaff

The Royal Opera's updated production of Verdi's Falstaff received mixed reviews from the audience on Tuesday night. Most people loved the performances, but when it was time for the production team to head onstage, there were some very audible boos (not to be confused with Audioboos). The gentleman next to me booed. He had had been tut tutting throughout most of the opera (particularly as the curtain went up revealing a dazzlingly bright 1950s kitchen in the second act), so it probably was not a surprise, but he did it with such gusto the sound reverberated around.

It is great that so many people are so passionate about Falstaff. It's a wonderful opera about a man who gets his comeuppance. While the production does update the setting from Elizabethan England to 1950s England, for the most part this change does not get in the way of the proceedings. The final scene in the second act in that kitchen was a little clunky and mistimed so much that it was obvious to most of the audience Falstaff wasn't thrown out with the laundry. And when it comes to the magical nymphs and fairies in the third act, things seem slightly stuck in a time warp.

But the closing scenes are lovely and the singing, particularly by the ladies is sweet and there is some fine music making here under the baton of Danielle Gatti. And there is the star turn in the final act by Rupert the horse, who managed to elicit laughs just by staring at Ambrogio Maestri. If there was a love story onstage, this was it...

It runs until 30 May. The closing night will also be televised on BP Summer Big Screens across the country. Check out the dates online.

Director Robert Carsen's case for updating productions follows... Should have explained this to the man to my right Tuesday... Although I suspect he would not have been interested in the rationale...
 


Photo credit Catherine Ashmore featuring scenes of adult themes and formica kitchens with Amanda Forsythe as Nannetta, Ana María Martínez as Alice Ford, Kai Rüütel as Meg Page in Robert Carsen's production of Falstaff. 

Friday, May 11, 2012

Dusk in a muddy park: Babel


Babel, billed as one of the theatrical events of 2012 (in a year that no doubt will be full of these) is currently playing at Caledonian Park in North London. It's part street theatre, part performance art, part art and craft, part singing and part muddy field. It's a lot of parts but it is a pretty ambitious piece that brings together a story of a city like London where people are from all corners of the world and representing a variety of cultures and backgrounds...

Wednesday, May 02, 2012

The generation gap as an overlong play: Love, Love, Love


Love, Love, Love by Mike Bartlett is now playing at the Royal Court. It's an epic drama about Kenneth and Sandra who meet in the sixties and start a fiery relationship. They have two children, divorce and then retire. But all is not well and it is the harsh economic realities that become the focus of the play. It has some sort of impact as people were filing out of the theatre Saturday night muttering amongst themselves, "Oh well, we will have to buy our children a house" or "I'm never going to be able to afford to buy on my salary".

A play that tackles the theme of the baby boomer generation as the locust generation is an interesting premise. But at three hours you will leave the theatre wondering if they could have made it shorter and called it Love, Love. As one particularly loud American couple noted in the foyer after the first act, it was fifty minutes that could have been told in five. The characters and more caricatures and there are no real surprises in this piece. Everything is telegraphed well before it happens which becomes tedious and curiously unexpected for an award-winning play.

Of course the cast are engaging and lovely to watch and they try hard to keep things moving. And moving from awful-looking wigs and retro clothing of the 1960s and 1990s to current fashion of 2011. Holding the piece together is the hard work of Ben Miles and Victoria Hamilton as the couple who are into each other and not much else... Sam Troughton has the thankless task of being the moody brother in the first act who gives menacing stares. You could be forgiven it was because Miles is wearing in open robe and has a much better physique... Troughton disappears for the rest of the show and so you do keep wondering whatever happened to him...

All told it is three hours of your life... But there are two intervals of good length and the bar staff are lovely and friendly... Hit back with the gin to keep you going and you'll leave the theatre wondering what the property prices nearby are like... It runs until 9 June.