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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Another look at bathroom mind games: Mydidae

The last time I saw Mydidae in December the full frontal nudity seemed a bit of a novelty. Now a few months later and transferred to the Trafalgar Studios, it is not the only show in the West End where the actors bare all, but they are probably still the only ones with a fully-plumbed bathroom.

While the prospect of seeing actors live and vulnerable is no doubt enough to arouse the interest of the punters, it is not all cheap laughs. Innocent and amusing banter soon becomes a voyeuristic look into shattered dreams and provocations.

The play has undergone some changes since it was last presented in December. They don't alter the overall structure of the piece. But whether it was the benefit of seeing it previously or the ongoing polishing and refining of the work, the events seemed much clearer and felt like the drama progressed more naturally this time around. The audience reaction was also much stronger with greater laughs and more palpable gasps.

It still is a funny and frank exploration of a young couple with a secret. Pheobe Waller-Bridge and Keir Charles undress, shave, wash and urinate in front of the audience. But it is how you feel as an audience member peering in on a couples mundane and not so mundane daily existence that gives this piece an intensity and brutal honesty.

Waller-Bridge and director Vicky Jones are Co-Artistic director of DryWrite, the theatre company behind this production. They asked writer Jack Thorne, whose other play credits include The Physicists at the Donmar, to set a play about a man and a woman in a bathroom as a means of exploring the subject of privacy and intimacy... Through a series of seemingly ordinary gestures and exchanges they build up to something that is extraordinary and shocking

Whether it is a great night out might depend on how you like your theatrical experiences. But it is not the sort of evening that you are likely to forget in a hurry. The last time around I met an ex colleague after the show who was dragged to the theatre by his girlfriend. They both loved the piece but it may make you think twice about sharing a soothing bath...

Downstairs at the Trafalgar Studios is just as intimate a space as the Soho Theatre and if you missed it last time now is your chance. It runs through to 30 March.







 
Photo credits: Simon Annand and Richard Lakos

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