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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Boom and bust: Eldorado @arcolatheatre

Property deals, war, angst and a healthy dose of absurdism mark Eldorado, the stylish new production currently playing at the Arcola Theatre in Dalston.

It is beautiful to look at and so well staged that you might feel inclined to seek out investment opportunities in Iraq afterwards, even if it has your recalling the worst excesses of the Iraq war.

The play opens with a description of a post-apocalyptic description of a war-torn land, that is open for a "unique investment opportunity".

We are then introduced to Anton (pictured). He has it made. He has a wonderful house, a wife who is a talented pianist and they are expecting a baby.
But all is not quite what it seems. As news of civil unrest grows and bombings increase, he finds himself out of a job. His wife, after a disastrous concert at a community centre, slams the piano lid on her hands. And a property deal that he has signed with his mother-in-law, seems to be not the sure things he convinced her it was. Soon he is hearing voices and noises and hiding on top of wardrobes so people can't find him.

The piece by by Marius Von Mayenburg (and translated by Maja Zade), is having its UK premiere here. It is a wonderful opportunity to explore the gulf between aspiration and reality, with some sharply observed scenes as the characters are pushed beyond their coping points among the insurgencies and fine dining.

It is also well acted by the ensemble. Michael Colgan as the confused and increasingly delusional Anton holds the piece together with his borderline sane performance.

Meanwhile Sian Thomas as Greta (pictured opposite with her young toy boy played by Nicholas Bishop), the somewhat practical mother-in-law gets many of the best lines, and as @johnnyfoxlondon notes in the Audioboo below, the best frocks.

This is the first production from Mongrel Thumb, which aims to bring to London audiences new and unusual works. They have succeeded here and looking forward to their future endeavours. First impressions follow, but this is a piece that lingers in your mind long after you have left the theatre...

Eldorado runs at the Arcola Theatre until 3 May. Tickets can be booked direct from the theatre website. The Arcola also runs "pay what you can Tuesdays".

****

listen to ‘Apocaboo: Eldorado’ on Audioboo



UK Premiere of Eldorado by Marius von Mayenburg - Official Trailer from Mongrel Thumb on Vimeo.

Photo credit: production photos by Mongrel Thumb

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