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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Personal atrocities: Into The Numbers @finborough

Into the Numbers is a haunting exploration into the mind of writer Iris Chang and her struggle with success and demons. Written by Christopher Chen, it’s having its European premiere at the Finborough Theatre.

Iris Chang wrote a best selling book about the massacre of 300,000 civilians in Nanking at the hands of Japanese soldiers. The book, The Rape of Nanking, describes in graphic detail the way in which people were brutally murdered. Including an estimated 80,000 women and young girls were raped. Seven years later, Chang would kill herself at the age of 36, leaving a suicide note that was meticulously edited and rewritten.


What’s fascinating about the piece is how Chen uses fragments from her personal and professional life to explain why this happened. In doing so, he not only explores the subject matter but also gets beneath the surface of mental illness.

Opening as a lecture and an interview with Chang, the piece sets the scene and recounts facts from the book. But things begins to warp as victims and perpetrators of the crimes come to life. The interviewer becomes her husband and then her doctor. Evil becomes all-pervasive and relentless and death seems to be the only solution for quiet solitude.

As Iris Chang, Elizabeth Chan is heartbreaking. At first she is the confident self-assured presenter but soon she crumbles into a person struggling to see the point of life. Clinging to a list of everyday things to remind her of the reasons to get up everyday. None of which include writing another bestseller.


Timothy Knightley deftly moves between the three characters of interviewer, husband and doctor. Amy Molly delivers a powerful performance as Minnie Vautrin. Vautrin was an American missionary who saw the atrocities first hand. She would return back to American and commit suicide. Mark Ota is chilling as the indifferent Japanese deputy ambassador and a soldier on the ground.

There’s a dreamlike yet heartbreaking quality to this production. The sets and costumes are by Isabella Van Braeckel and lighting by Matt Cater. It’s a beautiful attempt to explain the inexplicable.

Directed by Georgie Staight, Into The Numbers is at the Finborough until 27 January.

⭐️⭐️⭐️⭐️

Photos by Scott Rylander

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