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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

The man with the banana: Flinch @ORLTheatre


Flinch is a play about gender roles. But it’s also a timely reminder that you date actor-writers at your own peril. As you never know if you’re going to be the material for their next piece. Emma Hemingford writes and co-stars in this piece about modern relationships which is having its debut at the Old Red Lion Theatre.

She plays Jess, an actor of sorts struggling with auditions and lecherous directors. Mark (Joseph Reed) works in the city as a trader. Just as they move in together into his Bethnal Green flat, an incident happens. A violent mugger appears and threatens them both. Mark flinches (or according to Jess screams and runs away, leaving her alone). It turns out it was a bit of a joke since the mugger was brandishing a banana (and wearing a pretty camp t-shirt).


But this sets in motion a series of innocent conversations that lead into darker territory about the disappointments they have with each other.  The piece works at it’s best during these conversations. And it highlights how one moment can begin to unravel everything. Hemingford is terrific as smiles so innocently, probing Mark and challenging his masculinity. Reed is more than her match on the defensive or trying to work through what role he should be playing as a modern man.

There are dreamlike interludes where the camp man with the banana appears (Andrew Armitage). He’s clearly on their minds, but you figure he’s the catalyst for a more meaningful discussion the two need to have. Slowly the couple realises that they don’t belong together. Except in a play. Which she writes in the end and presents to him.

So a play about a relationship that ends up to be about writing a play about their relationship feels like it's a pretty meta experience. But definitely

Directed by Rosalind Brody, Flinch is at the Old Red Lion Theatre until 15 June.

🍌🍌🍌🍌



Photos by Ali Wright

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