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Showing posts with the label Lost musicals

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Take me to the world: Hide and Seek @parktheatre

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In a small town where everyone knows everyone, if you don't like it, you might feel that the only logical thing to do is to disappear. Especially if you think it will help your social media rankings. The loneliness and isolation of youth meet influencers in the wild in Tobia Rossi's Hide and Seek. And while events take a darker turn, the humour and the intimacy make this piece about youth on the edge (of trending) fascinating and enjoyable. It's currently playing at Park Theatre .  Mirko (Nico Cetrulo) is exploring a cave with his camera when he stumbles on Gio (Louis Scarpa). Gio has been missing for a while, and the town has been looking for him. But Gio is more interested in how much he is trending on TikTok. He also had a crush on Mirko. Soon, they establish a friendship and a bond. In the cave, they explore feelings they would not dare share outside. However, things turn darker when Gio is confident enough to leave the cave, while Mirko doesn't want his double life

Keep it gay: Twang!! @TheUnionTheatre

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Any time of the year you can watch Oliver! on television. Lionel Bart’s musical take on the tale of Dickens made him a fortune and is memorable for its music and a slick movie musical. A few years later under the influence of alcohol and LSD he wrote Twang!! A notorious and expensive disaster than ran for only 43 performances, it would cost him his fortune. But rest assured the Union Theatre hasn’t resurrected a curiosity for the benefit of musical theatre aficionados. As amusing in its own way that would be. This Twang!! is new. Or at least with a story that makes some form of sense. With a new book by Julian Woolford and updated orchestrations by Richard John, it’s a chance to see a lost Lionel Bart musical. The premise is that after years of robbing from the rich and giving to the poor Robin Hood has lost his twang. It’s a bit like the Middle Ages equivalent of mojo. It’s now his merry men who do most of the heavy lifting. Meanwhile Much, the millers son, has run away from home. He

Music and monarchists: Blondel @TheUnionTheatre

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The legend of Richard the Lionhart's dubious rescue from captivity by his minstrel Blondel is the subject of this rock musical by Tim Rice and Stephen Oliver at the Union Theatre . With its youthful cast it's well sung and funny in a pantomime sort of way. It's a pity that our hero Blondel ( Connor Arnold ) comes across less as a rock star and more of a folk singer in this version. It could do with a throbbing beat and a few guitar riffs to keep the action moving. But you'll find a few wry observations about austerity which will seem as relevant as when the show first premiered in 1983.

The not-so merry widow: Ballroom @Waterlooeast

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There's a terrific band and a real nice crowd... So one of the opening songs goes. Not all the magic is here in this lost musical of loneliness and rediscovering life. But as a vehicle for a star performance by Jessica Martin, it's great. Martin plays lonely widow Bea who runs off to a ballroom and finds herself living life again. She's vulnerable, she's stunning and she has a great singing voice. It's currently playing at Waterloo East Theatre .

I'm Getting My Act Together and Taking It On the Road @JsTheatre

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  Time heals everything they say. It has been over thirty years since London has seen I'm Getting My Act Together and Taking It On the Road. And watching it at the  Jermyn Street Theatre  is like a trip back in time. When you arrive there is a band getting ready for the show, and you could be forgiven for thinking you were in a cabaret spot from the 1970s. Complete with pantsuits, glitter makeup and records on the wall. It is a terrific looking production that makes you feel like walking down the steps to the theatre you have been in a time machine.  But with its handful of songs and themes about the role of women, it almost feels as it time has stood still. The dialogue may be firmly rooted in the 1970s (and often a bit predictable), but the themes of female empowerment and being independent seem as if we haven't come so far since..