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Showing posts with the label opening nights

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Take me to the world: Hide and Seek @parktheatre

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In a small town where everyone knows everyone, if you don't like it, you might feel that the only logical thing to do is to disappear. Especially if you think it will help your social media rankings. The loneliness and isolation of youth meet influencers in the wild in Tobia Rossi's Hide and Seek. And while events take a darker turn, the humour and the intimacy make this piece about youth on the edge (of trending) fascinating and enjoyable. It's currently playing at Park Theatre .  Mirko (Nico Cetrulo) is exploring a cave with his camera when he stumbles on Gio (Louis Scarpa). Gio has been missing for a while, and the town has been looking for him. But Gio is more interested in how much he is trending on TikTok. He also had a crush on Mirko. Soon, they establish a friendship and a bond. In the cave, they explore feelings they would not dare share outside. However, things turn darker when Gio is confident enough to leave the cave, while Mirko doesn't want his double life

Back to theatre: Our Boys

The revival of Jonathan Lewis's play Our Boys at the Duchess Theatre poses some interesting questions about what happens to people who chose a career in the army. Given the events this week involving murder-suicide of an IRA bomb survivor , it also seemed unintentionally topical. The play is based on Lewis's own experiences although the subject matter is more about hospital treatments for pilonidal sinus than the military's role in Northern Island. But since this condition was also nicknamed "Jeep seat", it provides insight into a lesser known aspect of army life. This play is set in a London hospital ward in 1984 and is a largely funny and episodic account of a group of wounded squaddies who find themselves passing time while they recuperate together. This premise is a fertile ground for penis jokes, masturbation, sex dolls, and a healthy discussion about circumcision. Best of all is a restaging of the Russian Roulette scenes from The Deer Hunter where beer

Fragmented blood and lust: Written on Skin fires

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There was style, passion and violence going around in spades at the Royal Opera's premiere of George Benjamin's new work, Written on Skin ,  Friday evening. Directed by Katie Mitchell, it is a big lavish production where angels look down on the unfolding story based upon the old fable Le Coeur Mangé (The Eaten Heart). It is a story about a powerful protector who engages an artist to create a work to celebrate his life and in doing so awakens his submissive wife. Upon discovery of this infidelity he plots his revenge. It is a short piece of only ninety minutes with no interval, but it is perfectly formed. For an opera about despair and unlocking beauty the music is evocatively layered. There are no big arias and much wailing at times but bit by bit the music serves to build the drama and tension of the piece. By the time of the conclusion and act of revenge the production has taken you to another world of beauty and wonder.