There is something about the audience at Evita , the new version of Andrew Lloyd Webber's musical hit from 30 years ago which reminded me of the audience at a dreadful Elaine Paige concert I happened to see in 2004. There was a certain age and a certain style about the people. They didn't look like they were regular theatre goers but they would go to this. I wondered where the hell they bussed this audience in from. I am not exactly a fan of Andrew Lloyd Webber's musicals (nor Elaine Paige) so it did dawn on me what the hell I was doing at this show. Well it probably was the promise that it was to be a new look at a (tired, dated, sanctimonious) old show. As for what was new in this show… Well there were new orchestrations, but for the most part they sounded more like the ring tones on my mobile phone. Unusually for a Lloyd Webber show, the set didn't fly in or out in spectacular fashion or be projected oddly (although there was one exception for Don't Cry For Me A...