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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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No justice for minstrels but what a show: The Scottsboro Boys @youngvictheatre

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A musicalisation of a forgotten case of injustice in America's south seems like it could be a heavy night at the theatre. But the Scottsboro Boys  which is now playing at the Young Vic near Waterloo, manages to be brisk and entertaining, while making some sharp observations on injustice and romanticism of Americas south. With a great songs by Kander and Ebb and some thrilling choreography by Susan Stoman it should not be missed. The story of the Scottsboro Boys revolves around nine teenage boys who were accused of rape in Alabama in 1931. They were found guilty and sentenced to death but with the support of  the American Communist Party a series of retrials ensued over the course of the following decade. The story is presented in the format of a minstrel show, where the cast are entirely black, with the exception of the interlocutor / master of ceremonies, played by Julian Glover . The interlocutor gives the show the device to pare this complicated story back to its bare bo
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Weaving monologues: Crowning Glory

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Crowning Glory which is now playing at the Theatre Royal Stratford East is a frank, sassy, funny and thought-provoking piece which apart from being about hair and makeup, is full of insightful observations about life - particularly the lives of black British women - and some raw emotions. The piece is told through the eyes of seven women and features a series of interwoven monologues, video projections and music asking about what is beauty, what makes people happy and in doing so also reveals their vulnerabilities and fears.
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Between galleries: David Breuer-Weil's Heaven & Earth

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David Breuer-Weil , who earlier this year was exhibiting in the vast cavernous spaces under Waterloo Station is back with a new show at two art galleries in central London called Heaven & Earth. The volume of his output and ideas at the moment shows with the range of new pieces presented. The exhibition is intended to be shown in two separate spaces, and serves as a contrast the themes on display between the near (Earth) and the far (Heaven).  Across both you will see Breuer-Weil's usual themes of the environment, a sense of belonging and enlightenment throughout. Where the familiar becomes surreal and subjects are found in strange and interesting positions... Sometimes it is as if they are in orbit.
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Spinning flipping and flexing: Seven Brides for Seven Brothers tour (or @7B47BUKTour)

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Seven Brides for Seven Brothers stopped at the New Wimbledon Theatre this week. Its a fun, loud and incredibly energetic production with a terrific cast that will keep you entertained for its two hour run. Based on a parody of the Roman legend The Rape of the Sabine Women, called The Sobbin' Women, it is set in Oregon in 1850. Adam ( Sam Attwater ), the eldest of seven brothers, goes to town to get a wife. He convinces Milly ( Helena Blackman ) to marry him that same day, as she has no family of her own. But on their return to his backwoods home she then discovers he has six other brothers, all living in his small cabin. Milly sets out to reform the uncouth siblings, who want to get wives of their own and she sees it as a way to get them out of her house. After some basic lessons the men head to town for a local dance and to meet some women. But find that all the ladies are spoken for. Returning back home and feeling down, Adam inspires his brothers after reading one of Milly&
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Just wait 'till you see the missus: Jekyll & Hyde at Southwark Playhouse

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It is an evening of moody atmosphere and gender reversal in Jonathan Holloway's Jekyll & Hyde , which has been re-imagined in this production currently playing at Southwark Playhouse . The director, Jessica Edwards, notes in the programme that Jekyll & Hyde is a story that is so well known and mis-remembered, it gives the team a great deal of licence to unpick its ideas and mess around with it. They have indeed and it works quite well using a range of theatrical tricks, music and some good old fashioned shocks.
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Stuff happens: Love n Stuff

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A marriage and a lifetime of memories are the backdrop to a sweet, funny and often surprising comedy that is now playing at the Theatre Royal Stratford East . What is astonishing about this fast paced show is that even with over twenty characters are played by two people - Tony Jayawardena and Rina Fatania (pictured right) - you walk away from the show feeling as if you understand them all and want to see them again. Bindi and Mansoor are a popular couple on their street in Stratford. But after 45 years of marriage Mansoor has decided to swap Stratford for Delhi, shocking his wife and their friends. While he is waiting for his flight to Delhi at Heathrow Airport, Bindi conspires with their friends to make him stay. It helps that the flight has been delayed for many hours and this is the setup for the piece.
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Legal horse play: Same Deep Water As Me

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Nick Payne's latest play at the Donmar , Same Deep Water As Me looks at the world of personal injury lawyers and the people who make false claims for accidents. It seems to be an attempt at farce but mostly comes off as a muddled soap opera that alternatively tries to be funny and make some serious points about sacrifices in the modern economy. None of it really works even though the cast are excellent and try their hardest to make sense of the material. In the first half we are introduced to Andrew (Daniel Mays) and Barry (Nigel Lindsay). They are two struggling 'no win no fee' lawyers in Luton and business is a bit slow. Then Kevin (Marc Wooton), who is an old school friend of Andrew's, appears with a story about a crash with a Tesco delivery van. I could explain more but the problem with this piece is that by the time the set up is made the audience know what is going to happen. The comedy is mostly derived from attempts to make jokes from class differences and c
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Slappers and braggers: Fleabag at Soho Theatre

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Phoebe Waller-Bridge's one woman show Fleabag is an entertaining smutty, funny and bittersweet tale. In Mydidae she was naked but here her character's soul is laid bare, as "Fleabag", a woman obsessed with sex. Everything leads to sex from a dripping stuffed crust pizza to a chance encounter with an ugly man on the tube. But amongst all the wild crazy hedonism emerges a real vulnerable person who is coming to the end of period of her life, even if she does not know it yet. Sitting on a stool under a spotlight the piece opens with Fleabag taking an interview for an office job. It soon goes horribly wrong which then leads to her confessional-like monologue on her life. It is a life is full of asides about her ex-boyfriend, her family, casual sex and her friend, with who she ran a hamster-themed coffee shop with until her death.
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Interstellar smut: Saucy Jack and the Space Vixens

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Leaving the theatre singing to oneself, "glitter shoes, saved my life," I was struck how rare it is to see a new show and keep the music and lyrics in your head. But with Saucy Jack and the Space Vixens downstairs in the bowels Lounge of the Leicester Square Theatre , the song and line is repeated so often it was bound to become an ear worm. It was also plastered on the merchandising strategically placed near the exit. From what I could understand of the plot it revolves around a sleazy cabaret club called Saucy Jacks on the notorious planet Frottage 3, where the performers become victims of a serial killer, who kills using a red slingback. With all this murder going on the club is visited by the Space Vixens who are like an interstellar Charlie's Angels who fight crime with the power of disco...
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Last chance legends: A Chorus Line

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Prior to it completing its run next weekend I finally caught A Chorus Line at the Palladium. It's a simple and slick fly on the wall show about dancers wondering if this is their last shot on stage as they progress from auditions to the opening night. It is hard not to like a show with such heart and thrilling performances. The cast are pretty good and the production is rarely dull, with its classic Broadway songs and classic theatrical set pieces. It is hard not to like Scarlett Strallen (one of the omnipresent Strallens and pictured opposite) dance and high kick her way through the Music and The Mirror as she desperately wants a job. Or see Olivier award-winning Leigh Zimmerman as Sheila, the very late twenty-something dancer who is wondering how long her run will last... At times it is exhausting to watch the cast as they are on stage for nearly two hours (without an interval). And if it looks like hard work, that is probably because it is .
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