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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Phytophilia and other tortures: Fiji Land @swkplay

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Torture, boredom and having strange things done to plants are explored in Fiji Land, a thought-provoking piece currently playing at the little space within Southwark Playhouse for a short season. The title comes from the testimony from a Professor Ali Shalal, who became a symbol for the torture at Abu Ghraib after catching the interest of the New York Times and it mistakenly attributing him as the man hooked up to wires and a black hood. His testimony describes a part of the prison in open space and made up of five sectors, surrounded by walls and barb wire as Fiji Land, where anything could happen. The play is a short piece about what happens when cell doors are closed and nobody else is watching. You walk into the little space within the Southwark Playhouse to be greeted with what looks like a cross between a cold storage facility and an indoor plant growing facility. Unsure about what the next eighty minutes had in store for us, @Johnnyfoxlondon and I opted for seats towa
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Opera: Carmen pleasures

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The tale of a cigarette worker and a promising soldier who throws his career away in lusting after her seems like an unlikely premise for an opera. But Bizet's rousing music and the melodramatic tale of love and obsession woven around it make Carmen  hard to resist. The casting and current production make for a satisfying night out at the Royal Opera . I caught this production just before Christmas with the alternative cast. Korean tenor Younghoon Lee as Don José delivers a thrilling performance with his range and gradually escalating dramatic intensity. By the finale the audiences were cheering.  Christine Rice as Carmen was equally thrilling and has a dark timbre and luscious sound that is well suited to the role. The rest of the cast rise to the drama of the occasion. As Escamillo, the  Johnny Depp of opera  Kostas Smoriginas, dominates his scenes with a commanding voice and presence.  Francesca Zambello's stylish production evokes Seville but what lingers ev
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Desperately seeking the West End theatre: another way finding guide...

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Another handy guide has been created to find some of the major London theatres around London, what are the nearest tube stations and how to get from them. Combined with the on-street Legible London signs, there should be no excuse for missing the 7.30 start (unless of course the show starts earlier or you spent more time than you expected dining on the pre-theatre menu)...   Created by TicketTree.com , The Theatre Break Specialists.
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Panto season again: Aladdin @NewWimbTheatre

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It is panto season again and the first pantomime, Aladdin at the New Wimbledon theatre was the same production I saw last year in Richmond . It still looks great with some incredible costumes and set pieces and makes for a great (if a tad overlong) family night out. I thought last year's production needed songs from this century and better jokes. Well this time around the songs this are more recent (such as Daft Punk's ear worm Get Lucky) and the street dance troupe Flawless , as the Peking Police Force adds some variety to the proceedings. With Matthew Kelly's very amusing turn as the pantomime dame Widow Twanky, comedian Jo Brand and some genuine west end stars with Oliver Thornton and David Bedella it is like a chocolate box of random assorted entertainment, there is bound to be something to please everyone.
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Art and other urges: The Shape of Things @arcolatheatre

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The Shape of Things , currently playing at the Arcola Theatre in Dalston is a smart and good looking production that captures the banality and earnestness of Neil Labute's high concept play of young love in a university town. Ten years on from its first presentation at the Almeida, it still is an interesting observation on people and relationships and art. Or perhaps. The lady seated next to me who was an art historian was not particularly impressed by the analysis of art. She found Labute was getting things wrong. But coming out of the the theatre, my partner commented, "That's just how people act in my hometown." The mind started to boggle about the games people in his hometown play, but he thankfully clarified he mean that people once they get into relationships change and cut people out of their lives. And this is what makes the piece fascinating. Its observations of the four characters and their interrelationships as they talk about love, sex and art. They
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Hot and bloody: American Psycho The Musical @AlmeidaTheatre

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At the preview of American Psycho  at the Almeida Theatre I caught last week, the audio wasn't great, the cast seemed uneasy and props were knocked over. At one point a dancer blinded by the projections seemed to fall off the stage. But there was something about this slick,  thoughtful and funny production that suggests that these are mere early days for a show that has all the makings of becoming a great new musical. The first half is too long and it could do with some more gore, but you will walk away amazed by the spectacle, style, music and performances. American Psycho is based on the book by Brett Easton Ellis . Famous for its graphic violence and sexual content, it tells the story of Wall Street investment banker who details his life from drug-fuelled clubbing with colleagues, to obsessions over business card fonts and forays into mass murder. He is in a loveless relationship with a fellow yuppie and violent murders seem to be his release, whether they are real or imagin
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Old jokes home: Barry Humphries' Farewell Tour Eat Pray Laugh

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Billed as the Dame Edna farewell show, in Eat Pray Laugh , Barry Humphries is presenting to London audiences (potentially) the last time to see his iconic characters. Watching him perform live is to see an old comic master at work. Quick fire comments fly by and jokes (no matter how old or recycled from previous shows) still manage to seem funny. But at three hours it is an overlong show that will have you thankful retirement beckons for these characters... Even if you admire his stamina for persevering through this marathon of a show. The first character we are introduced to is Sir Les Patterson . Sir Les is meant to be offensive and he does this by having a large erection protrude through his shorts, constant spitting when he speaks and an endless stream of fart jokes. The spitting from speaking rains down on the first few rows of the audience (particularly at members of the audience in the front who don't find the act particularly funny). If you are in the spit rows, you are
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