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Take me to the world: Hide and Seek @parktheatre

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In a small town where everyone knows everyone, if you don't like it, you might feel that the only logical thing to do is to disappear. Especially if you think it will help your social media rankings. The loneliness and isolation of youth meet influencers in the wild in Tobia Rossi's Hide and Seek. And while events take a darker turn, the humour and the intimacy make this piece about youth on the edge (of trending) fascinating and enjoyable. It's currently playing at Park Theatre .  Mirko (Nico Cetrulo) is exploring a cave with his camera when he stumbles on Gio (Louis Scarpa). Gio has been missing for a while, and the town has been looking for him. But Gio is more interested in how much he is trending on TikTok. He also had a crush on Mirko. Soon, they establish a friendship and a bond. In the cave, they explore feelings they would not dare share outside. However, things turn darker when Gio is confident enough to leave the cave, while Mirko doesn't want his double life

Previewing the slags: Confessional @swkplay

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Confessional is in until 29 October at Southwark Playhouse . It’s an immersive production of an overlooked Tennessee Williams play that transplants the action to Southend on the Essex Coast. The experience is the thing here where the audience joins the cast in a pub (an authentic looking boozer recreated in The Little at Southwark Playhouse) and the action kicks off all around you. The piece centres around Leona Dawson (Lizzie Stanton). She is getting her act together after discovering her layabout boyfriend (Gavin Brocker) has been cheating on her with her mentally ill best friend. And it just happens to be the anniversary of her younger brother’s death. When a couple of gay men come into the bar - one who looks a bit like her dead brother -  things start to get to breaking point. Amid all the drinking and rough talk it all starts to get a bit messy. You know where things are heading. All hell threatens to break loose. And it eventually does.

Hard times, hard drinking, hard men: The Boys In The Band @ParkTheatre

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The glass may be half empty but it's always going to be full of liquor or bile in The Boys In the Band. The alcohol starts flowing and next follows the loathing. But something unexpected watching this piece. Even amongst the bleak depiction of pre-Stonewall New York you get the sense they're a family. And they will probably patch things up in the morning. Once they get over their broken noses and hangovers. It is now playing at the Park Theatre before heading on a tour. Mart Crowley's play was the first to present gay life to a mainstream audience. It is important to appreciate that it was once unique. Nowadays there isn’t a week that goes by in London when there isn’t a play about gay men in London. Usually it involves the actors getting naked. But this takes you back to an earlier time. It is before chemsex. Before AIDS. Before Stonewall. Just drinking, poppers, a bit of dope and a whole lot of self hatred.  But an excellent ensemble and a brisk pace makes it for

Fancy footwork: Floyd Collins @WiltonMusicHall

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A cave man searching for fame and fortune - and finds it after he gets trapped in one - is the basis of the musical Floyd Collins, currently playing at Wilton's Music Hall. Based on the true story of Kentucky cave explorer Collins. After getting his foot trapped he becomes a media sensation when a cub reporter (who is thin and small enough to enter the cave) interviews him. His subsequent story becomes syndicated across America.

Hairography: Vanities: The Musical

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  The secret of lasting friendships is really about having the correct fitting wig. Well, I think that's what it is after catching Vanities: The Musical. It's a musical valentine to soap opera dramatics and retro hair styles currently playing at  Trafalgar Studios . The show is given a heavy injection of talent with the performances by its three leading ladies. While this makes it very watchable, you are left wishing there was just something more in the material.

Sweat shops: The Great Divide @Finborough

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  The Great Divide uses the worst industrial accident in history as the backdrop to explain the lives and times of some of the workers who lived and perished in the Triangle Shirtwaist Factory fire.  It is playing on Sunday, Monday and Tuesday at the  Finborough Theatre  until 20 September.  What is exciting about Alix Sobler's piece is how fragments of stories comes together to tell a much bigger one about immigration, dreams and unionisation against the backdrop of the deadliest workplace disaster in American history.    The Triangle Shirtwaist Factory was on the lower east side of Manhattan located on the top floors of an 11 storey building. Most of its workers were migrants working for low pay and long hours. The custom and practice in factories was to lock doors and limit exits to prevent theft. Smoking was banned but people did anyway.  So when fire broke out on 25 March 1911, the combination of flammable materials and no means of escape let to a fire of such intensity that

Eat your young: Unfaithful @found111

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The central message from Unfaithful by Owen McCafferty is that it is still an older persons world. The older generation is screwing the younger generation over and over. They get the early retirements, they clinched Brexit, and they get free TV licences. All at the expense of the younger generations who will pay for it. And here those youngsters are also fair game for sex. For fifty-something couple Tom and Joan, it’s too late to do anything else. They are stuck with each other. But the play opens with Tom confessing that he had a sexual relationship with a younger woman. So Joan seeks revenge sex by hiring a male escort. Meanwhile Tara is bored working at the checkout at Tescos and her frustrated her partner Peter - a male escort - doesn’t have a day job. And thus begins this four hander about relationships. It is full of dirty talk about eating this and fucking that. But mostly it is middle-aged sex fantasy and I suspect an excellent show to catch if you’re over fifty. For

Mad about the boy: Britten in Brooklyn @wiltonmusichall

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Britten in Brooklyn currently playing at Wilton’s Music Hall is a good looking production. But the trouble with a piece about artists at their least artistic period of their lives is that not a lot happens. In the end you feel as if you have been watching Celebrity Big Brother, without the cheap thrills of seeing anyone being a cat ... Or getting confused about which David died . At the height of the Second World War, Benjamin Britten takes off to America, avoiding conscription and the conflict in Europe. He stays in Brooklyn in an artistic commune with his friend poet WH Auden. Writer Carson McCullers and Gypsy Rose Lee are also staying there. I was half-expecting an evening of debauchery and creativity. But it was mostly introspection. Still upset over the death of his mother and reception of his works in England, Britten is seeking solace from all that. He also is coming to grips with his homosexuality, budding relationship with Peter Peers and his pacifism.

Eat, sleep, report, repeat: Groundhog Day @oldvictheatre

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Could Groundhog Day at the Old Vic be the most fascinating piece of theatre on in the West End this summer? Based on a much-loved movie it isn't particularly groundbreaking as musical. Nor will you leave the theatre humming too many of the tunes. But a series of performances (including by the two charismatic leads Andy Karl and Carlyss Peer ) take this show to another level. Based on the Bill Murray movie, the show follows the same plot. Phil is a sarcastic weatherman forced to relive the same day over and over. He is stuck in a time loop reporting on whether a large rodent (the groundhog) can predict an early spring. So he starts making the most of the situation. He sleeps with every woman in town, he steals, he cheats death. But after craziness and depression set in he focuses his efforts on improving himself and getting the day right.

Last chance: Curtain Call @RoundhouseLDN

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Arad’s Curtain Call at the Roundhouse has completed its summer season of live performances. But you have until the end of the bank holiday weekend to see the installation before the silicon rods are packed away. Created by Arad in 2011, it's made up of 5,600 silicon rods suspended from an 18 metre diameter ring. The curtains first appeared in 2011 and returned this year as part of the Roundhouse’s Bloomberg Summer. The live performances with invited guests were part of a series of late night events. Closing the live performances on Thursday were the London Contemporary Orchestra . With a combination of cool music and vocals, it was a reflective and sophisticated musical experience.

Cunning vixens and dopes: Allegro @swkplay

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There is no time to lose in Allegro at the Southwark Playhouse . It is a whirlwind tour of a man's life from birth to mid life. But along the way there is much to admire in this early Rodgers and Hammerstein piece. Allegro was first performed in 1947 is having its professional European premiere finally in 2016. For whatever reasons it did not capture the imagination of the public at the time. Maybe it is it is because it is a character study and a none too subtle dig at city life. But perhaps with the passing of time the story has more resonance and its innovations can be appreciated.