Posts

Featured Post

Bear with me: Sun Bear @ParkTheatre

Image
If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
Read more...

The best of all possible worlds: Candide in Concert with @LMTOrch @CadoganHall

Image
It is possible to see the best of all possible worlds after experiencing the passion and sublime music making from London Musical Theatre Orchestra's concert version of Candide. Playing for one night only at Cadogan Hall, you left the theatre sharing the joy and passion the musicians felt for Bernstein's work. Based on a story by Voltaire, it's about a young man determined to cling to optimism despite the frequent tragedies he encounters. Along the way he's expelled from home, dragged into the Bulgarian army, brought before the Spanish Inquisition... But the plot is not so important... As a concert version, Bernstein's operetta lets you overlook the sillier parts of the story and focus on the music and performances.
Read more...

Eat it up: Mumburger @ORLTheatre

Image
If barbecues and eating bring people together, Mumburger takes it to a new level in dealing with death and loss. Currently playing at the  Old Red Lion Theatre   Sarah Kosar's take on death, family and meat is funny and thought-provoking. And a little off-putting if you're squeamish. Mum's dead. She got hit by a truck on the M25. The two people she left behind - a father and daughter are grieving. There are the usual funeral plans and picking up relatives from the airport. But there is also the arrival of a brown package of meat patties to deal with. Did their mum arrange for them to be delivered on her death, knowing full well that unlike her they were only part-time vegetarians? Or are they symbolic of something more? 
Read more...

Silly monkey: King Kong (A comedy) @thevaultsuk

Image
King Kong (A Comedy)   is currently at the Vaults at Waterloo. A show that needs to tell you it's a comedy (albeit in parenthesis) might give you reason to hesitate. If it's funny why does it need to tell you that it will be? But fortunately it is like a sketch show put together to tell the story of the beast that almost conquered New York.  King Kong is such a silly story that giving it a comic treatment actually doesn't change much of it. Struggling producer needs a leading lady for his next animal picture. No self-respecting actress would work with him and so he finds a lady off the street. Only this time she can speed read ancient texts and maps. There is enough silliness to appeal to children and enough adult themes to keep the rest of us tittering away. A cast of serious (and not so serious) actors; Ben Chamberlain, Rob Crouch, Sam Donnelly, Aix Dunmore and Brendan Murphy play a range of characters that featured in the film.
Read more...

Carpe diem: Mr Gillie @Finborough

Image
Poor Mr Gillie. A headmaster at a small village  school railing against the norms and expectations of the time. It's like a poor mans Dead Poets Society... Without the privileged young men, the cliches or the sentimentality. It's funny too which makes this piece enjoyable even if it is a little long. Here life is the pits, and Mr Gillie was the only hope for anyone who didn't care for that. It's playing at the Finborough Theatre and is the first London production in over 60 years of James Bridie's work. It opens with the a judge and barrister discussing the life of Mr Gillie. Mr Gillie and his wife had been evicted from their schoolmaster's house after the closing down of the school. The furniture van was coming to clear out his things but had run over and killed him. Now the  judge and barrister would have to decide whether his life had any point.
Read more...

Music and monarchists: Blondel @TheUnionTheatre

Image
The legend of Richard the Lionhart's dubious rescue from captivity by his minstrel Blondel is the subject of this rock musical by Tim Rice and Stephen Oliver at the Union Theatre . With its youthful cast it's well sung and funny in a pantomime sort of way. It's a pity that our hero Blondel ( Connor Arnold ) comes across less as a rock star and more of a folk singer in this version. It could do with a throbbing beat and a few guitar riffs to keep the action moving. But you'll find a few wry observations about austerity which will seem as relevant as when the show first premiered in 1983.
Read more...

Gender whatevers: Rotterdam @artstheatreLDN @RotterdamPlay

Image
The years have been kind to Jon Brittain's Rotterdam. Since its first outing in 2015 the awareness about transgender issues has grown. Whether it is from Caitlyn Jenner or gender-neutral toilets at the Barbican , it's topical and thought-provoking. And following its win at the 2017 Oliver Awards and a run off-Broadway, Rotterdam is back in London. After catching it again it's great to report that it still feels as funny and bitter-sweet as ever. And don't call it a lesbian-transgender-whatever comedy. That would be too binary to give it a label. It's just complicated and that's probably what gives the show its brilliance.
Read more...

Cheers Mum, Cheers Dad: Punts @theatre503

Image
Watching Punts, which is currently playing at Theatre 503, reminded me of that joke about the boy who asked his parents if he could have a watch for Christmas. And so they let him. Here a young man's sexual awakening is organised by his parents. It all seems very modern. Sarah Page's comedy about the sexual awakening of a young man has a twist. His parents pay for a prostitute to help him as he has learning difficulties. But the piece moves quickly from being a bit  awkward (or a bit gross), to being a very funny and sophisticated story. It's also made believable by the convincing performances.
Read more...