Posts

Featured Post

Bear with me: Sun Bear @ParkTheatre

Image
If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
Read more...

Still got it suckers: Chicago @Phoenix_Ldn

Image
Corruption, greed and murder never seem to go out of style in Chicago. The Kander and Ebb musical returns to the West End’s Phoenix Theatre after a six year hiatus.  It’s pretty much the same show that burst onto the scene in the late 1990s. Back even though it was a revival people saw it resonate with the trial of OJ Simpson. Twenty years on the President of the United States is purportedly a urophiliac. Hookers and porn stars paid off as fast as a the National Enquirer can catch and kill a story.  And you no longer have to be good or competent to rise to the top. Everything old seems new again.  And this show is still a hell of a ride. With the sexy costumes and choreography “in the style of Bob Fosse”, the show oozes sex, rhythm and sensuality.  If you’re not familiar with the show other than the gelded movie with Richard Gere and Catherine Zeta-Jones you’re in for a treat.  If you’ve seen it all before you can lie back and enjoy the performances by Sarah Soetaert and Josefina Gabr
Read more...

Two women in a boat: previewing The Gulf @TristanBates

Image
Currently running at Tristan Bates Theatre is the European Premiere of The Gulf by Audrey Cefaly. An exploration of the challenges facing all relationships. Including LGBTQ+ ones... Stranded on a boat together on a fishing trip in Alabama, two women are forced to confront their differences. Louisa Lytton and Anna Acton feature. The Gulf made its world premiere as a short play in August 2010. It’s now been developed into a longer piece that premiered in 2016. It received the 2016 Edgerton Foundation New American Play award and was nominated for The Charles McArthur Award for Outstanding new Play.  Directed by Matthew Gould, The Gulf continues until 5 May at Tristan Bates Theatre.
Read more...

Miss Atomic Bomb: The Bekkrell Effect @RoundhouseLDN #CircusFest

Image
French circus troupe Groupe Bekkrell bring their show to the Camden Roundhouse, The Bekkrell Effect. It’s part of CircusFest 2018, which is celebrating 250 years since the invention of the modern circus. Using the discovery of radioactivity by Henri Becquerel, it’s an explosion of movement, working together and apart. They’ve created a world where things decay and disintegrate, including the set... The strength of the piece comes from the unique staging. It starts off as a bare stage with a few things disassembled. There are cables, strings, ropes, boards. Performers Fanny Alvarez, Sarah Cosset, Océane Pelpel and Fanny Sintés undertake rope, Chinese mast, tightrope and tumbling. And they bring all the stage props toghether while performing. Either together or alone. Accompanied by a pulsating soundtrack or the performers own grunts, it’s both funny and fascinating. And they manage to produce some stunning scenes, including for the finale where everything seems to be teetering on the b
Read more...

Cough medicine: Quiz

Image
You don’t often expect to go to a show where coughing during the performance is essential part of it. James Graham’s Quiz at Noel Coward Theatre elevates a minor moment in history into a melodrama fit for television. The story is around the trial of Charles and Diana Ingram who were convicted of trying to defraud the quiz show “Who Wants To Be A Millionaire” in 2003. Mostly through a series of well-timed coughs. Cameras roll, music roars, the mob votes on little gizmos. There’s even a nod to the humble pub quiz as its origins. It is fun. But it’s also a night that leaves you thinking about another quiz show. Pointless. The production is drunk on the television gimmicks it’s trying to critique. The glamour of television, instant polls and dazzling lighting.  All come at the expense of character development and a convincing argument about confirmation bias. You get a chance to vote on whether they’re guilty twice. Once before interval and once at the end. It’s set up to get people to be
Read more...

Keep it gay: Twang!! @TheUnionTheatre

Image
Any time of the year you can watch Oliver! on television. Lionel Bart’s musical take on the tale of Dickens made him a fortune and is memorable for its music and a slick movie musical. A few years later under the influence of alcohol and LSD he wrote Twang!! A notorious and expensive disaster than ran for only 43 performances, it would cost him his fortune. But rest assured the Union Theatre hasn’t resurrected a curiosity for the benefit of musical theatre aficionados. As amusing in its own way that would be. This Twang!! is new. Or at least with a story that makes some form of sense. With a new book by Julian Woolford and updated orchestrations by Richard John, it’s a chance to see a lost Lionel Bart musical. The premise is that after years of robbing from the rich and giving to the poor Robin Hood has lost his twang. It’s a bit like the Middle Ages equivalent of mojo. It’s now his merry men who do most of the heavy lifting. Meanwhile Much, the millers son, has run away from home. He
Read more...

Pass it on: Reared @Theatre503

Image
L iving with your mother in law and a daughter who’s pregnant sets the scene for some tough Irish mothering in Reared. A play by John Fitzpatrick that sets inter-generational conflict as both a tribute and a tribulation. And no matter how hard you fight it, you’ll always end up like your mother. Or in this case, your mother-in-law. It’s currently running at Theatre 503 . Eileen (Shelley Atkinson) is worried about her mother in law, Nora’s increasing forgetfulness. Could it be a sign of dementia? She’s also worried about her daughter Caitlin (Danielle Philips). Caitlin’s pregnant and putting her her dreams of drama school (or at least a shot at university) on hold. They’re just about managing and living under one roof as it’s Nora’s home. For now.  Then there’s Eileen’s ineffectual husband Stuart (Daniel Crossley). And Caitlin’s best friend Colin (Rohan Nedd).  But the men are there for the comic relief. Through a series of monologues and scenes, Fitzpatrick creates a layered story abou
Read more...

Those were the days: Plastic @ORLTheatre

Image
Even if the subject matter and setting is a bit grim, there’s a lot to like about Plastic. Kenneth Emson’s gritty and evocative play about growing up in Essex. School can be the best of times and the worst of times. And here is a tale about school life that defines and haunts two characters in the years to come. It’s currently playing at the Old Red Lion Theatre . Coming of age can come quickly. Girlfriends, peer pressure, schoolyard beatings. And football of course. The piece mixes drama and performance poetry to tell the story of young people forced to grow up.  There’s Lisa (Madison Clare - making her professional debut) with her blazer and bold personality. Kev (Mark Weinman) the former captain of the football team who scored the winning goal in the final, but who can’t seem to make much of a living now. Ben (Thomas Coombes) who always got beaten up and now’s an accountant. And his loyal mate Jack (Louise Greatorex) who will stick up for him no matter what. The cast work well to br
Read more...

Privileges and power: White Guy On The Bus @Finborough

Image
It’s always grim in Philadelphia in White Guy On The Bus. It’s a sharp, insightful and unsettling piece to remind us that race, power and inequality loom large over everything that happens in America. Or even here. It’s currently playing at the Finborough Theatre . It opens with what appears at first to be a series of lectures among two white couples about unconscious bias and latent racism. They’re on the lawn of a lovely house in Philadelphia. It seemed as topical as the aftermath of a recent Quentin Letts review . But that’s just a starter to what writer Bruce Graham really wants to tackle. The piece zeroes in on the divide in Philadelphia between low income blacks and the well-off white communities. The two remain separate and unequal. Philadelphia may be edgier than other parts of America, but it’s a story that applies anywhere. London too given the growing incidence of gang violence.   The play focuses around Ray (Donald Sage Mackay - in his London Theatrical debut). He works in
Read more...