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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Alone in this world: Jericho’s Rose @thehopetheatre

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A loss of identity and being between two worlds lies at the heart of Jericho’s Rose. It’s Lilac Yosiphon’s account of a theatre maker who is trying to stay in the United Kingdom. Meanwhile her grandfather is in Tel Aviv suffering from Alzheimer’s. It’s currently playing at The Hope Theatre. The last time I was at The Hope Theatre it was to catch the excellent Cockamamy , about an absent-minded Spam-hoarding grandmother. This time around it’s about a grandfather trying to remember who he was. It’s as if the venue is becoming the Dementia Theatre. But this tale is also more abstract. Live music by Sam Elwin, sound loops and evocative projections weave a tale of confusion and isolation. Music, movement and background projections by Will Monk underscore the unsettling environment. For both grandfather and granddaughter. Both are struggling to find a place in the world. Both are in a state of flux. This is a minimalist piece. Part of it’s intent is to repeat in trying to remember the past
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Depression and abuse: The Distance You Have Come @Cockpittheatre

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Scott Alan’s song cycle The Distance You Have Come gets a star quality injection with it’s lineup of West End performers. If only the material could match them. Entering the theatre you’re warned you’re about to see a show with “adult themes pertaining to depression and abuse”. But that’s only part of the problem. Still, it’s great to see some of the best performers on the West End up close in the intimate surrounds of the Cockpit Theatre . There’s Andy Coxon and Adrian Hansel play two lovers who after a brief relationship get a dog gayby. There’s Emma Hatton and Dean John-Wilson who seem to have a Tom Cruise, Nicole Kidman Eyes Wide Shut-style of relationship. And there’s Jodie Jacobs and Alexia Khadime who are best friends until a close encounter of the same sex kind complicates everything. Cue the depression, abuse and extended self reflection. And a curious scene involving hooded people wearing masks, stripping Dean John-Wilson down to his boxers. It can be challenging to have a s
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Dying: A Funny Thing Happened on the way to the (etc etc) @Finborough

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Halley Feiffer’s A Funny Thing Happened on the way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Centre of New York City explores the fine line between laughter and grief. It’s having its European premiere at the Finborough Theatre . In this case it is facing grief, cancer and death in a pink hospital room. Complete with wall art that’s evocative as much as it’s hideous. You have to laugh that even facing death stereotypes persist. But it could be a hospital anywhere. These waiting rooms for those between life and death with their safety signs, equipment all look the same. And for anyone that’s had to visit someone in such a room, there is something funny about that. Even if you aren’t working on a stand up routine. Feiffer, who dramatised a dysfunctional playwright and his actor daughter in I’m Gonna Pray for You So Hard , explores the funny side of death here. It opens with Karla (Cariad Lloyd), a stand up comedian trying out jokes on her mother, Marcie (Kristin
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Brief encounters: La Tragédie de Carmen @popupoperauk

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In La Tragédie de Carmen, Popup Opera have a distilled version of Bizet’s Carmen devised by Peter Brook in the early 1980s. The gypsies are gone and all that’s left is the love triangle. And some of the best tunes... Carmen in some ways can survive being messed about with. The Royal Opera afterall is presenting Carmen in a gorilla suit . Cutting out large chunks of the story and setting it during the Spanish Civil War makes less sense. And in the venue of the Peckham Asylum the sightlines were a bit challenging. But it still works better than expected. Popup Opera is known for their fresh take on comic operas that tour around the country. But they are on a winner with a more dramatic piece for their autumn season. It doesn’t mess about getting to the best arias. And it helps they’ve assembled a youthful and impressive quartet to bring out the passion. Chloe Latchmore dazzles as Carmen, using her body and her voice as the seductive and sensual woman. She holds your attention with her c
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Those magnificent men: Square Rounds @Finborough

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After watching Square Rounds it’s tempting to ponder did the toilet inspire some of the great discoveries of science. The toilet features prominently in this production. The invention of the modern toilet created the need for synthetic fertiliser. Which in turn led to the creation of the chemical weapons and explosives used to devastating effect in the First World War. And so goes Tony Harrison’s anti-war polemic about those who invented the great weapons of mass destruction. It’s having it’s first production in almost 30 years at the Finborough Theatre . The set is in blacks and whites. Just like the world of science.  But the clarity of science is lost in the fog of war as each great invention with a noble purpose also serves a more destructive one.  It’s depicted by an all-female ensemble to underscore that at wartime it was the women manning the factories. Doing all the work. And mostly spoken in verse. It’s a fascinating and provocative piece. With songs, projections and magic tri
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The final word: Dust @TrafStudios

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Death is the final word in Dust, a one-woman show written and performed by Milly Thomas that hits you with humour and grief in equal measure. Inspired by Thomas’s own struggles with depression its raw and provocative. It’s currently at the Trafalgar Studios following its sell out runs in Edinburgh in 2017 and the Soho Theatre earlier this year. Life for Alice was unbearable and so she decides to kill herself. And now she has to describe the aftermath of her actions and family and friends cope and move on.  We’re introduced to Alice in what looks like a morgue. There’s a stainless steel table and harsh lighting. Thomas is in a skin coloured body suit and describes how strangers are undressing her. They’re getting her ready. At first it seems like it’s getting her ready for the start of a wonderful new chapter. She’s been dead for a few days and she describes as family and friends gather to grieve. She’s the focus of their lives. Fragments of her short life emerge. The boyfriend who is
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Holding out for a hero: Eugenius @TheOtherPalace

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You get the sense you’re witnessing the birth of a new cu lt musical at Eugenius. Some audience members appear to know the choreography, songs and b ad jokes in advance of those experiencing it for the first time. And this isn’t such a bad thing. Particularly with its supercharged cast and uplifting eighties-inspired soundtrack this show rocks. It’s back at The Other Palace after a successful run earlier this year.  The book music and lyrics are by Ben Adams and Chris Wilkins. The songs are inspired with their upbeat eighties sound. Keyboards, sax solos and electric guitars abound. And there are a mix of ballads and hilarious songs to keep things irresistible. But they have to compete with a convoluted story seems like a mash up of Blood Brothers, Rock of Ages and Galaxy Quest. Teenage boy Eugene (Rob Houchen), dreams of a distant world where superhero Tough Man and Super Hot Lady fight against the Evil Lord Hector. His nerdy friends Janey (Laura Baldwin) and Feris (Daniel Buckley) e
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Be a clown: Much Ado About Nothing @anticdispo

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Shakespeare’s Much Ado About Nothing is set in rural France in the aftermath of World War II in this lively interpretation by Antic Disposition. The war may be over but the battle of the sexes and battle over rivalries is just about to begin. It’s currently playing at Grays Inn Hall.  Love gone wrong, mistaken identity and a infidelity make up this piece. And there’s not a moment to lose in this adaption that moves through the story at a fast pace with music, mirth and merriment. And with a nod to the physical comedy of Jacques Tati, there’s much clowning about too in this company consisting of English and French actors. As the unlikely lovers, Nicholas Osmond as Benedick and Chiraz Aïch as Béatrice strike the right balance with the physical and verbal humour of the piece. Alfie Webster makes the most of the brief yet dark character Don John who sets in motion much of the drama.  Alexander Varey and Florian’s Andersen are also a delight as the intense young lovers, Claudio and Hero. Th
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