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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Girl jobs: A Hundred Words For Snow @trafstudios

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There may be A Hundred Words for Snow but no words for grief and loss. Written by Tatty Hennessy, it's a funny and emotional monologue told with panache, humour and enthusiasm by Gemma Barnett. It’s currently playing at Trafalgar Studios . When Rory’s (Gemma Barnett) dad unexpectedly dies, she discovers his diary with plans for a trip to the Arctic. So she makes a plan to get her father's ashes to the North Pole. After all, spending an eternity in an urn is not going to be much fun. So borrowing her mother's credit card she takes a flight to Norway. But things aren't what she expects. Along the way she meets a boy and finds a friend. But she also discovers how big the world can be when you're fifteen years old. The show creates a vivid portrait of a teenage girl growing up fast. But she also captures the changing landscape of the world and a woman's place in it. There are facts about famous male explorers and geography. And how global warming is chan
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A little more mascara: Lipstick, a fairy tale of Iran @Omnibus_Theatre

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A nightclub. A cultural exchange to Iran. Rose flavoured marzipan. A drag nightclub. An unlikely series of elements come together to tell a polished and compelling tale of oppression and freedom in Lipstick: A fairy tale of Iran. Written and directed by Sarah Chew, it’s currently playing at the Omnibus Theatre in Clapham . On a simple stage we’re introduced to Orla (Siobhan O’Kelly) and her best friend Mark (Nathan Kiley). They’re about to open a drag club night in Soho. But Orla’s just returned from a theatre residency in Iran as part of some government sponsored initiative.  And by chance she’s seen a failed revolution. A daring drag cabaret stage show in soho pales in comparison to the everyday acts of defiance she sees in Tehran.  Life in Iran seems so much more complicated than how its depicted in western media. Meanwhile life in London is not without its drawbacks either. The show uses lip syncing, drag cabaret, and fragmented memories to paint a picture of oppression
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For the boys: The Pirates of Penzance @WiltonMusicHall

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It’s still a man’s world in Cornwall. Or so it is in Sasha Reagan’s all-male version of Gilbert and Sullivan’s The Pirates of Penzance. Ten years on from it’s first presentation, the show is still full of humour, energy and resourcefullness. And staged among the period features of  Wilton’s Music Hall , it's a perfect match. Over the years I’ve missed all the all-male cast versions staged by the Union Theatre . There’s been Iolanthe, The Mikado and HMS Pinafore. Which is too bad. What they lack in feminine presence they make up with in comic timing, energy and vigour. The show never misses a chance to bring out the humour in the situation, while still remaining largely faithful to the original material. It’s a resourceful production too. Simple props like a broom turn into a horse. Which is then fed a carrot. In a most amusing way.A ladder and some fabric become a pirate ship on the high seas (or at least on English Chanel). And no doubt the all-male cast doubling a
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Immigrants getting the job done: Carmen @KingsHeadThtr

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Carmen can survive being messed about. After all she’s wearing a gorilla suit at the Royal Opera's current production . Here she’s an immigrant working in a bar,selling NHS drugs on the side and picking up footballers to make ends meet. It’s a grittier, funnier take on Bizet’s opera complete with some fine singing. And it’s currently playing at the Kings Head Theatre . This version by Mary Franklin and Ashley Pearson is like La Tragédie de Carmen , adapted by Peter Brook in the early 1980s. Both dispense with a large ensemble to focus on the love triangle. But in this English version there’s more laughs. Albeit against a grim backdrop of low paid jobs, living out of cars and footballers looking for cheap thrills. You’re never quite sure if you should be laughing or recoiling from the comedy-drama unfolding as the vocals are soaring. But then again comedy is tragedy plus time... The role of Carmen is shared. I saw it played by American Mezzo Soprano Jane Monari. Her Carmen i
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Flying away: My Dad's Gap Year @ParkTheatre

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Sometimes you just have to throw in the towel and fly out to Thailand. To hell with the consequences. At first. So is the premise In My Dad's Gap Year. But while some of the plot points might be as suspicious as the sexual antics on stage, there's a lot of heart and great performances in this piece. Written by Tom Wright, it's having its world premiere at Park Theatre . Dave (Adam Lannon) is having a mid-life crisis. And he drinks too much. His wife Cath (Michelle Collins) has left him and is uptight teenage gay son, William (Alex Britt) is trying to enter the world of work. So what better way to get over it all by heading off to Thailand? Beside's it's supposed to be William's gap year. So why can't dad join in? Along the way Dave falls for Mae (Victoria Gigante), who runs the bar at the beach. And there's a sexy lifesaver Matias (Max Percy) who is about to open William's eyes to a whole new world. What at first seems to be a wild funny h
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Come fly with me: Cuzco @Theatre503

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An acquaintance came back from a holiday in Thailand recently. On his return he announced he was separating from his Spanish girlfriend. As I was watching Cuzco at Theatre 503 I was hoping the end of his affair wasn't anything like this. This is a provocative and fascinating piece about relationships and mind games in the the era of globalised tourism. We're introduced to this Spanish couple in a bland hotel room in Cuzco. We don't know their names. She (Dilek Rose) is wearing sunglasses as she says she has a migraine. He (Gareth Jones) is wanting to go out and explore the city. But what seems like simple altitude sickness gives way to some more susbstantial. Soon angry politics, a failing relationships and colonisation is the focus of the discussion. This two hander builds in intensity to an uneasy finale. A trip intended to escape the cracks in their relationship only serves to expand the divide between the two. Both Rose and Jones give an intimate intensity to
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Axes to grind: Violet @charingcrossthr

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A game of poker, a greyhound bus trip and a few stops at whorehouses of America lead to salvation. Or so it appears in Violet, a musical getting its UK premiere at Charing Cross Theatre . An inspired production set in the traverse and a stellar cast are somewhat let down by a superficial story. And sound that made it difficult to hear what people were singing about. Violet is set in 1964 North Carolina.  It's about a young woman who was disfigured as child when her father was careless with an axe. With her life savings she travels on a bus trip across the country in search of a miracle healer and tele-evangelist in Oklahoma. Along the way she strikes up a friendship with benefits with two young soldiers. With this setup I was half expecting a Dogfight on the bus . But instead of some kinda time, things are kept bright and sweet with its bluegrass score by Jeanine Tesori and Brian Crawley. But soon the sweetness becomes relentless. By the time you're half way through you&
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Someone to watch over me: Dangerous Lenses #dangerouslensesplay @VaultFestival

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As I am writing up my thoughts on Dangerous Lenses I can see the neighbours opposite have switched on their lights. They look like they're getting ready to head out. And the people below them are setting the table for dinner. Perhaps the life of a blogger and the recluse at the centre of this piece are converging. The premise is that Ann (Grace Chilton) who lives alone is watching the lives of her neighbours as hers goes by. But when a new tenant and his daughter move in. And the tenant says she has no daughter. Ann starts to obsess about what she saw and didn't see. Written by Brooke Robinson and directed by Melissa Dunne, this monologue is a great exploration of loneliness and obsession in the city. Chilton is great (and a little creepy) as the lonely people-watcher. It's enough to make you reflect on all the times you've made assumptions or watched others. Assuming you've done that sort of thing. Papercut Theatre , presented Just To Get Married at the
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