Posts

Featured Post

Bear with me: Sun Bear @ParkTheatre

Image
If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
Read more...

Night and day: The Reality @CervantesTheatr

Image
What's real and what's imagined seem to be at the heart of The Reality. A new piece of writing by Denise Despeyroux and translated by Sarah Maitland. It's currently playing at the Cervantes Theatre . Told over a series of video chats, one sister is dying, and the other has to become more like her. Or is that what's happening? Is there a good sister and a darker sister? One sister who loves life and the other despair. As the sisters converse, it becomes less clear what really is happening and what are the games being played here. Maite Jáuregui holds your attention throughout, with her energetic performance as the darker sister. Full of rage and anger. Walking into the theatre, she is repeatedly chanting. It was quite an achievement as she had to do it for an extra five minutes due to latecomers. But the pre-recorded video of her alternate sister feels more like a gimmick and is often a distraction instead of supporting the drama and themes of the piece. Never
Read more...

Love abridged: Uncle Vanya @Thehopetheatre

Image
Production company Tales Retold , which aims to take a new look at old classics distils the essence and passion of Chekhov's Uncle Vanya into a brisk 90-minute observation on family dysfunctions. And the disputes for money, love and survival in the Russian countryside with too much sun and vodka at hand don't seem too foreign to similar skirmishes nowadays either. It's currently playing at the Hope Theatre . Professor Serebryakov (Rory McCallum) and his young and beautiful second wife Yelena (Esme Mahoney) have come to the country estate run by Uncle Vanya (Adrian Wheeler) and his plain daughter from his first marriage, Sonya (Cassandra Hodges). Their arrival has upset the delicate balance of life at the property with their late nights and random walks. But Uncle Vanya is regretting his life, particularly since he had met Yelena ten years before and never asked her to marry her. And he doesn't think much of the professor. There's a doctor, Astrov (DK Ugonna) who
Read more...

Love and war: Creditors @JSTheatre

Image
Walking into Jermyn Street Theatre to see the new translation of Strindberg's Creditors feels like you're transported to a small seaside hotel in the late 1800s. The sounds, look and feel, takes you there on some unknown Nordic island where the action takes place. And it's gorgeousness lulls you into a false sense of security for the mind games that are about to take place over the next ninety minutes. It opens with Adolf (James Sheldon), talking desperately about the love for his new wife with a man he recently has befriended, Gustaf (David Sturzaker). She's just published a book about her idiotic husband from her first marriage and now gone away for a few days. And her absence is driving Adolf crazy. He's stopped painting and started working on a very sexually provocative sculpture. But his new friend is sowing the seeds of doubt about his wife. He saw her on the ferry chatting to some young men. And as Adolf becomes increasingly neurotic about his new
Read more...

Rough trade: Market Boy @theuniontheatre

Image
In Market Boy, the market is free and full of life lessons. Never dull. There’s no time to dwell on why you’re there as there’s merchandise to move and money to be made. And maybe a girl to impress. It's currently playing at the Union Theatre . The show opens in the early 1980s at Romford Street Market. It’s the era before online deliveries and fashionable farmers markets selling fresh produce. This is a rough trade. And Boy (Tommy Knight), lands a job selling women's shoes. Under the apprenticeship of Trader (Andy Umerah), he learns a thing or two about shoes, selling to the women of Romford, and closing a deal. David Eldridge’s play, first seen at the National Theatre over ten years ago, whisks you on a journey through the eighties from boom to bust. With over fifty characters, all are loveable rogues with hearts of gold. And they have a thing or two to teach the Boy. What this show lacks in epic scale (or characterisation), it makes up with enthusiasm and energy f
Read more...

Gay gore: Tumulus @Sohotheatre

Image
Something is unnerving about Tumulus. It isn't just that some audience members are asked if they want apple juice or Lucozade before the piece begins (although that's pretty weird too if you're unfamiliar with the subject matter). But it's that the show will leave you with the thought that in the London gay community there are a group of professional men who are perfectly happy to let you die. Just not in their own flats. So beware partying with anyone with easy access to Hampstead Heath. A short piece it's about respectable professional Anthony (Ciarán Owens). He has a stable job and a penchant for young boys and 36-hour chemsex parties. When his ex-lover is found dead on Hampstead Heath was it just another overdose that happens every week. Or was it something more sinister? The life of Anthony, his addictions and the people around him weave together like a gay gore whodunnit. But writer Christopher Williams creates a funny and playful account of life in L
Read more...

A class of their own: HMS Pinafore @KingsHeadThtr

Image
Charles Court Opera's production of Gilbert and Sullivan's HMS Pinafore takes life below deck to a new level. Set on a bright yellow submarine in the 1960s, it is a treat. Particularly with some excellent vocal singing from the small cast. It's currently playing at the Kings Head Theatre . As a satire on the enduring preoccupation by the English on class, the piece never feels dated. So shifting the time and place doesn't seem such a bad thing. It's full title HMS Pinafore, or, the lass that loved a sailor pretty much sums up the story. The captain of the HMS Pinafore intends his daughter to marry the first Lord of the Admiralty, but she is in love with a lower-class sailor. Here with a small cast while the chorus is reduced, it allows us to focus on the main action. And the music under the direction of David Eaton on keyboard. The cast works well to balance the demands of the music with the comic elements of the piece. As the lovestruck sailor Ralph Rac
Read more...

Animal Urges: Awkward Conversations with Animals I F*cked @kingsheadthtr

Image
Awkward Conversations with Animals I’ve F*cked certainly has an evocative and attention-grabbing title. There’s also an animal-like performance by Linus Karp. He’s part awkward young man, part woodland creature and so he holds your attention. But once you realise the animals are real the rest becomes a letdown. It’s less awkward conversations and more repetitive conversations. The species changes but it’s the same story. It’s currently playing at Kings Head Theatre .   It opens in what looks like a student dorm room. Dirty sheets, dirty clothes and food are strewn across the floor. And Bobby is lying there on the bed. It’s the morning after the night before. And then he starts talking. Soon you realise that the trying on the dog collar is not quite role-playing.  Next, he moves on to conversations with cats. Then sheep, monkeys and bears. Sure the conversations touch on his life and loneliness. There’s a hint about mental illness. But none of this is particularly con
Read more...

Flying and flexing: A Simple Space @UnderbellyFest

Image
Gravity and Other Myths return to the Underbelly Festival on the South Bank with their thrilling minimalist and physical show, A Simple Space. The piece strips back the art of circus performance until it’s just skin and muscle. Leaving you amazed by the feats of endurance, strength and precision. It’s been four years since Gravity and Other Myths had this show on the South Bank. And while the performers have changed, the sense of playful wonder remains. And it’s still exciting seeing performers skip rope, handstand and backflip to the point of exhaustion. This is not a show that makes circus art look easy. The show progresses through various feats of endurance including throwing, catching and falling. The opening scene features each performer shouting out they’re falling and wait for another performer to catch them. It’s an evocative opener and sets the tone for various set pieces that play on the theme of gravity-defying circus acts. Audience participation includes an en
Read more...