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Showing posts from September, 2021

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Bear with me: Stitches @TheHopeTheatre

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What if your teddy bear could talk? My ten-year-old self would think that to be excellent. My more recent self would think it was a high-concept buddy movie with Mark Wahlberg. But in Stictches, Jonathan Blakeley's monologue, which he has written and performed, traces the life of his beloved Chloe, from when she was first given to him by her grandmother, wrapped with a red ribbon. It becomes a story not just about a cute bear (or maybe that should be rough, shaggy-looking bear given the performer’s appearance) observing life but an exploration of life and all of its stages. It's currently playing at the Hope Theatre .  The bear is not warm and fuzzy; he is a bit of a character and tough-talking, but also a bit anxious about being accepted and then discarded as nothing. But he is there to bear witness as she navigates the complicated facets of growing up and having a life. Ultimately, the bear has to deal with being consigned to a box with her other memories until circumstances

Some mothers do have them: Small Change @omnibustheatre

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With time often comes perspective, but in Peter Gill's memory play Small Change, time is less kind. The march of time has left behind a hazy recollection of events, missed opportunities and cues. Nothing seems to be what it is or was. For the audience, if you're lost trying to follow what's happening or unfolding, it shouldn't matter. And not just because if you’re like me it has been a while since seeing something at the theatre in person. The characters are most likely lost too. Its currently playing at the Omnibus Theatre in Clapham. The story takes place on the east side of Cardiff in both the 1950s and 1970s (time is a bit relative here). In the later period, Gerard (Andy Rush) is trying to find the moments in his life that made him who he is —growing up Catholic in the 1950s in Cardiff with his stern talking mother,  Mrs Harte (Sioned Jones). But his relationship with his neighbour and best friend Vincent (Toby Gordon) causes the most moments of reflection. From l