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Showing posts from December, 2021

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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Close-knit families: Beowulf An Epic Panto @Kingsheadthtr

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Charles Court Opera are back with their boutique panto season at the Kings Head Theatre . This time they are taking a story of epic proportions with Beowulf. It helps to know the epic poem. It helps to know various pop cultural references and songs thrown into the mix. Alternatively, you can let much of it sail over your head and enjoy the inspired silliness of it all. And indeed, that’s more than anyone could want out of a pantomime? It’s currently playing at the Kings Head Theatre.  In this version of Beowulf, the hero (Matthew Kellet) has a bit of an image problem. And not just because of his 80’s inspired hair. He expects to be the hero to save the day, but Princess Hrothmund (Julia Mariko Smith) can take the monster Grendel on her terms. Grendel doesn’t seem to be much of a monster either. Played by Philip Lee, he wants to make friends. His mother is another matter. There’s some inspired messing about with both the tale of Beowulf and the conventions of pantomime. The principal bo