Paul in London

The life of Peter Finch is forever intertwined with his final film role in Network. Being ”mad as hell” is the topic of this play, Mad as Hell currently showing at the Jermyn Street Theatre .  In Network, Finch plays Howard Beale. He transforms from a mild mannered news anchor at a struggling television network to a modern day prophet. Tired of reporting the bullshit of the world he urgess his viewers to get “mad as hell”. The story has enough relevance today to warrant a exciting reimagining at the National Theatre. Here writers Adrian Hope and Cassie McFarlane, imagine the character Finch plays has many parallels with his own life. A hard living angry man tired of the bullshit that goes with being a celebrity. He finds solace with a woman who helps him escape and live a normal life. It’s also a sensitive tale about a mixed race marriage in a time of tremendous change.  McFarlane took inspiration from her mother’s retelling of the story. This includes the Jamaican reaction to...

Just how long can you hold a grudge? Well it probably depends on what exactly went down at school. Morgan Lloyd Malcolm's The Wasp is back in the West End. It last appeared in 2015 at Hampstead Theatre and then transfered to Trafalgar Studios. Two years on, it's at the  Jermyn Street Theatre  and just as chilling and just as spooky. Although perhaps having seen it all before, you see more of the mechanics behind the story that evolves over cups of tea.  The story is about Carla and Heather. They were once schoolmates but drifted apart due to their different backgrounds. And one or two horrible incidents. Heather has become a successful businesswoman. She drinks lattes and has nice clothes. Carla is probably just about managing - pregnant and in a track suit - and prefers builders tea. The scene is set for what you think will be a class struggle and then Heather asks Carla if she would help her kill her husband.

The search for a great playwright to rescue society seems an odd subject for a musical-comedy. But these are no ordinary times we are living in. A frog called Pepe is now a symbol for the alt-right movement. So now may be the time for a show where frogs appear to be a symbol of conformity, distraction and mediocrity. The Frogs was an ancient Greek comedy from 405 BC by Aristophanes. It became a short musical piece performed in the Yale Swimming Pool in the 1970s by Burt Shevelove. And it is now a somewhat fully fledged musical thanks to Nathan Lane's obsession and fascination with the piece. It is having its UK premiere at the Jermyn Street Theatre .