Paul in London

It is not often you get to go to the theatre and get an eyeful of spit, blood and tight-fitting Lycra. But this is the case in Lardo, now playing at The Old Red Lion theatre . It’s a descent into the subculture of Scottish wrestling, its characters and violence. It is also an immersive experience. Entering the Old Red Lion theatre is like entering into the world of insane wrestling. The performance space is a wrestling ring, the Scottish flag and walls smeared with muck and graffiti.   There are real stunts and some pretty nifty moves. Audience participation is a given. You will find yourself shouting and booing (whether you really wanted to or not). And even when the play feels like it is losing momentum there is always the next wrestling match that will save it. 

It had only a short run but A Local Boy which concluded yesterday at the Pleasance Islington is a great new piece of writing by Dan Murphy . The dialogue is funny and incisive about the cruel trials and traumas of today's youth, where anything is fair game and everything is online. It is a world where there is no privacy and sometimes this has unforeseen consequences. This time there has been an incident at the local war memorial in Romford where young people hang out and drink.

Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.

You would not expect karaoke and far right British politics to go so well together, but in Albion , currently playing at the Bush Theatre , they seem inexplicably linked. The cast break out into songs throughout the piece, but instead of singing for joy what emerges instead are thoughts of isolation and fear. Chris Thompson's new play looks at the rise of the new far right in modern Britain at the home of an East End boozer. The cleverness in the piece is not the interwoven songs as if you're watching a night of karaoke down at the pub, but how the politics and motivations are presented within their context and without judgement. You may leave the theatre feeling slightly challenged by some crafty arguments and giddy from some terrific singing. 

The Picture of John Gray imagines the life of poet and potential inspiration of Oscar Wilde's The Picture of Dorian Gray. It is a fascinating and thought provoking piece that recreates the period where the arts and Aestheticism were at the forefront of London society, and then how almost overnight it would all change as Oscar Wilde is imprisoned for acts of gross indecency. The piece opens where John Gray has been left by Wilde and meets Marc-André Raffalovich , a writer, critic and supporter of the arts. They become lovers but following the trial of Oscar Wilde and the fracturing of their community of artists, Gray finds his calling and spiritual meaning through the sanctuary of the church and becomes a priest.

Bakersfield Mist and its tale about forgeries in the art world might not be the most original piece of theatre, but the opportunity to see Kathleen Turner and Ian McDiarmid work together makes it a memorable night at the theatre. A fan of her performance in Serial Mom, I have a soft spot for any opportunity for Kathleen Turner to  say filthy words. After a few minutes, when she said fuck about ten times I knew this was going to be a show I was going to enjoy. But others may not be so indiscriminating.

Jackie Sibblies Drury's play, which has the full title of: We Are Proud To Present A Presentation About the Herero Of Namibia, Formerly Known As Southwest Africa, From the German Sudwestafrika Between The Years 1884 - 1915, shows that there is a fine line between challenging an audience and boring them to death. About twenty minutes into the piece of shouting and confusion (which is intended as it is scripted) we wanted to leave, but both the work and the layout of the Bush Theatre conspire to keep you captive... Whether you want to be or not.

A marriage and a lifetime of memories are the backdrop to a sweet, funny and often surprising comedy that is now playing at the Theatre Royal Stratford East . What is astonishing about this fast paced show is that even with over twenty characters are played by two people - Tony Jayawardena and Rina Fatania (pictured right) - you walk away from the show feeling as if you understand them all and want to see them again. Bindi and Mansoor are a popular couple on their street in Stratford. But after 45 years of marriage Mansoor has decided to swap Stratford for Delhi, shocking his wife and their friends. While he is waiting for his flight to Delhi at Heathrow Airport, Bindi conspires with their friends to make him stay. It helps that the flight has been delayed for many hours and this is the setup for the piece.

Nick Payne's latest play at the Donmar , Same Deep Water As Me looks at the world of personal injury lawyers and the people who make false claims for accidents. It seems to be an attempt at farce but mostly comes off as a muddled soap opera that alternatively tries to be funny and make some serious points about sacrifices in the modern economy. None of it really works even though the cast are excellent and try their hardest to make sense of the material. In the first half we are introduced to Andrew (Daniel Mays) and Barry (Nigel Lindsay). They are two struggling 'no win no fee' lawyers in Luton and business is a bit slow. Then Kevin (Marc Wooton), who is an old school friend of Andrew's, appears with a story about a crash with a Tesco delivery van. I could explain more but the problem with this piece is that by the time the set up is made the audience know what is going to happen. The comedy is mostly derived from attempts to make jokes from class differences and c...