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Cocksucker Theatre hour: The Habit of Art

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Note: this post was updated in December 2022 in an attempt to comply with Google content guidelines - however if a phrase used in the play about cocksucking violates these guidelines it still may have a content advisory… 🤷‍♂️ I caught the penultimate performance with the original cast of The Habit of Art on Tuesday, Alan Bennett's latest play which has been running since late last year at the National Theatre (and been broadcast in cinemas around the world recently). It's had great reviews and been hard to get a ticket... Afterall, it is an Alan Bennett play so you know it is going to have some great dialogue and something about 🐓sucking in it. There will be a new cast returning in July and a tour, but this cast had a bit more star power with Richard Griffiths and Frances De La Tour... Since the play does talk about devices, there is only one thing worse than plays within plays, which often seem to be a device to make a show that doesn't work slightly more palatable ( ...

Staycation: The Cotswolds

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Last weekend I ventured out of London to the Cotswolds  for the first time. The Cotswolds seems to consist of many cute little towns that all look the same and that offer an array of antiques, clothing for  the elderly and places to eat lunch. It is all rather civilised. Lunch in the Cotswolds turned out to be a very cruel sport. Establishments were either offering a one hour wait, or menu boards outside saying they were full and didn't want you approaching them. Once inside one of these sought after establishments, no menu could be considered complete without deep fried brie and some form of lasagne. With menus like that on offer it was no surprise everywhere we turned we saw fat people, such as Gloucester at sunset... Incidentally, the trip to Gloucester was accidental after being frightened out of Cheltenham by chain restaurants and loose women amongst the regency terraces. It was a chance to take in the cathedral, the various shopping arcades built circa 1970/1980, and...

Hot news this week in London

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IMG_1753 Originally uploaded by Paul-in-London Dr Zeuss meets the brown word...

Opera: Aida

The Royal Opera continues in its current trend to show flesh with its slightly naughty version of Aida . I caught up with it on opening night last week, and this new production looks great. And with plenty of partial nudity, it can be a little distracting. While it has been a controversial choice in staging, I thought it helped since I really don't care for Aida as an opera - a small story blown out into epic proportions that goes on forever. Still, conductor Nicola Luisotti also gets a great sound out of his orchestra and chorus (if perhaps not his soloists). His thoughts on the opera are captured in the latest podcast from the Royal Opera as well. Opening night was also a charity fundraiser with HRH in attendance ( wheeling in his wife ), so the standard of dress was a little bit better than usual at Covent Garden as well... It runs until 16 May and worth catching.

The other Westminster question on election night...

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Listen! via AudioBoo Posted via web from paulinlondon's posterous

Play: Holding the Man

On election night, I was in Whitehall at the Trafalgar Studios watching the Australian (gay) play Holding the Man . The play is about two boys and their fifteen year relationship from meeting at a good Catholic school in Melbourne in the late seventies through to the early nineties.  It is based on the book of the same name . The story is part coming of age, part coming out, part gay life in oz in the eighties, and part dealing with HIV and AIDs. Two out of the four parts are quite depressing, but at least the coming out and coming of age parts are charming. Surprisingly for a play that has won a lot of awards (in Australia), I found it to be like a cliff notes version of the book. While I have not read the book, after seeing the play I feel I have a sense of its geography, but not its sentiment. The direction and staging don't help much either, which is fairly uninspired with too many "comic" diversions and a set that looks like a tip. This is a shame as the cast...

Scenes from tough times in a phone booth in London

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IMG_1745 Originally uploaded by Paul-in-London Card reads: Hot Transexual. Busty boobs. Fit, sexy, English, naughty babe. £60 recession special. For when times are tight I suppose...

Scenes from Springtime in London

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Posted via email from paulinlondon's posterous

Music: Daniel Boys

Thanks to a large volcanic ash cloud which stranded Johnnyfox in New York (not that he minded by his tweets ), I was lucky to catch Daniel Boys at Pizza on the Park Thursday evening. Daniel has appeared in various shows including Avenue Q and has recently released an album   So Close , that has become very popular... All of this has given him the opportunity to showcase his talents and charm in the intimate space of Pizza on the Park. It was Daniel, a great band and an audience. An audience that appeared to be mostly very appreciative women. There must be something about his boyish charm, enthusiasm and lovely vocals that drives women crazy. While they weren't throwing an underwear on stage I wondered whether this was simply because they weren't wearing any. Anyway, Daniel performed mostly on a stool behind a music stand and looked loveable. This might have seemed a bit odd if you were directly in front of him (unless you like singing music stands), but fortunately...

Opera: Il Turco in Italia and Prima Donna

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It was a weekend for checklist operas. Once you have seen them you can mark them off your list as never needing to see them again. First up was Il Turco in Italia at the Royal Opera. Here was a great cast let down by Rossini's over plotted and overlong opera. Still when the cast could sing and act it was hard to be annoyed and wish they would get on with it. Ildebrando d’Arcangelo as the prince and Aleksandra Kurzak as the errant wife made infidelity seem so glamorous too. I also wasn't so sure about the cardboard cutout set, but I did like the sleeping cat. There should be more stuffed animals in productions. The Royal Opera also continues its trend for non-singing beefcake in productions (following on from the Rake's Progress), with a muscle man parading in his speedos at the close to taunt Kurzak's character one more time. Leaving the theatre we almost ran into him racing towards the tube station. He was almost unrecognisable in his tight t-shirt but the glowing...