Paul in London

The London Wonderground on the South Bank is currently playing host to Cantina, an Australian circus production that is unique in its blend of theatre and physical performance with a lashings of pain. Actually, a lot of pain. Broken glass, high heels, broken limbs feature so prominently it could be billed as the Cirque De Sade if that wasn't already the name for a fetish night in Canada . The production manages to take the circus act and make it new by becoming sexy, violent and painful. Is it real or is it escapism? It is hard to tell but it is awfully enjoyable and classy night out full of laughs and some genuine surprises that will have audiences gasping.

Burlington Gardens is the home for an intriguing and beautiful exhibition by Hermès called Leather Forever . It celebrates the art of making products with leather along with showcasing some of the beautiful products made by the company over its 175 years. There is the opportunity to feel and smell different leathers and watch the craftmanship in action working with the material. With a mix of lighting effects and different set pieces to compliment their range of products, it is at times an interactive experience and there is even a moment when you can be caught in a leather curtain. A lovely diversion that will have you wanting to head to the gift shop... If you know there is one just around the corner ... The Leather Forever exhibition is open from 10am to 6pm daily and admission is free. It runs through to 27 May.

The Royal Opera's updated production of Verdi's Falstaff received mixed reviews from the audience on Tuesday night. Most people loved the performances, but when it was time for the production team to head onstage, there were some very audible boos (not to be confused with Audioboos ). The gentleman next to me booed. He had had been tut tutting throughout most of the opera (particularly as the curtain went up revealing a dazzlingly bright 1950s kitchen in the second act), so it probably was not a surprise, but he did it with such gusto the sound reverberated around. It is great that so many people are so passionate about Falstaff. It's a wonderful opera about a man who gets his comeuppance. While the production does update the setting from Elizabethan England to 1950s England, for the most part this change does not get in the way of the proceedings. The final scene in the second act in that kitchen was a little clunky and mistimed so much that it was obvious to most of ...

Babel , billed as one of the theatrical events of 2012 (in a year that no doubt will be full of these) is currently playing at Caledonian Park in North London. It's part street theatre, part performance art, part art and craft, part singing and part muddy field. It's a lot of parts but it is a pretty ambitious piece that brings together a story of a city like London where people are from all corners of the world and representing a variety of cultures and backgrounds...

Love, Love, Love by Mike Bartlett is now playing at the Royal Court . It's an epic drama about Kenneth and Sandra who meet in the sixties and start a fiery relationship. They have two children, divorce and then retire. But all is not well and it is the harsh economic realities that become the focus of the play. It has some sort of impact as people were filing out of the theatre Saturday night muttering amongst themselves, "Oh well, we will have to buy our children a house" or "I'm never going to be able to afford to buy on my salary". A play that tackles the theme of the baby boomer generation as the locust generation is an interesting premise. But at three hours you will leave the theatre wondering if they could have made it shorter and called it Love, Love. As one particularly loud American couple noted in the foyer after the first act, it was fifty minutes that could have been told in five. The characters and more caricatures and there are no real s...

Funny Peculiar playing this week at Richmond Theatre is probably the most perplexing production to be seen on a stage since Too Close To the Sun (it was a short-lived musical about Ernest Hemingway's suicide). The plot revolves around a small time grocer with a wife and a baby who is desperate for sex.  Mike Stott's  play was probably daring for putting fellatio on stage in 1973 and the shock of the original production was no doubt a distraction. Fast forward forty years and it really looks like a series of stock comedy scenarios straining for laughs. It lacks timing or purpose, and with its one dimensional characters comes across as just a little bit creepy. It's not unwatchable but perplexing to think why it is on stage at all. The cast are gorgeous though and as the show plods along you feel real pity for the material they have to work with. And at times you fear they are going to injure themselves trying to get some laughs. Even Craig Gazey's flaccid penis i...

Soul Sister at Hackney Empire is a musical based on the life of Tina Turner . It's an opportunity to set the rhythm and blues music from Ike and Tina Turner to her lifestory with some incredible results. Most of this is due to the incredible powerhouse performances by Emi Wokoma as Tina and Chris Tummings as Ike. Wokoma doesn't pretend she is Tina Turner but is a star turn all the same. It's energetic, musical and thrilling. By the end of the show with the obligatory musical medley the audience was on its feet dancing. It is a pity that the creative team decided to musicalise a story that features domestic violence so prominently. Either from shock or bewhilderment the audience were either laughing at every punch or cat calling. It was enough to make you feel like you were in the audience for the taping of a Jerry Springer show. Here's hoping as the show evolves there is a better solution to telling the Ike and Tina story on stage... And perhaps finding a punchier ...

The young and rather attractive cast of The Goat's Theatre Company have produced an excellent production of Ibsen's A Doll's House that's playing at The Cockpit Theatre in Marylebone this week. The tale of lies, deceit, a woman's place in society (and macaroons) feels fresh and alive in this no-nonsense production. Caroline Hobbs playing the role of Nora (she shares the role with Victoria Jane Appleton who is in the above clip) brought out the right balance between fragility and her awakening and is a delight to watch. The production focuses on great performances and all of the cast are great. The staging also makes the most of the generous space of the Cockpit theatre as well. I could have done without some of the sound effects (was it children offstage or Gizmo from Gremlins ?) but this is a show not to miss. It finishes today. If you are near the Church St Antique market today head over to Gateforth Street. Performances are at 4pm and 7.30pm.

Hampstead's Fenton House is currently exhibiting a collection of drawings by London artist Venetia Norris . Norris has taken inspiration from the civilised and beautiful walled gardens of Fenton house and created a series of intricate and detailed drawings of plants and floral arrangements. An individual or pair of plants are captured in extraordinary detail and shading. And the images are a mix of pencil or ink interrupted by occasional lines of gold or silver-leaf (as illustrated opposite). A reflective evening at Fenton House. It runs until 1 July 2012. Be sure to explore the other rooms of this 17th century merchants house (and the the views of London from the roof) to see the impressive collection of early keyboard instruments and porcelain. Also to coincide with Open Squares Weekend and Fenton’s Summer Tea Party, Norris will be holding a number of 30-45-minute drawing workshops on 4th and 9th June 2012 (these will be held at 11.30am, 12.30pm, 2.30pm and 3.30pm on both day...

Esther O'Toole's gripping play The Crossing is in London this week at Battersea's Theatre 503 . It tells the story of three Ghanaian men in the last months of their journey through North Africa to Europe and what they see as a better life. It's based on various first hand accounts and given recent stories of the failure of NATO ships to assist refugees off the coast of Libya and border spats between France and Italy , it feels like it has been ripped from the headlines. The play works so well in bringing out the stories and motivations of these three men who risk everything and pay smugglers to get them to the Italian Island of Lampedusa in the Mediterranean. The performances by Michael Offei, Michael Kofi and Kwaku Boateng draw you in to a world of desperation, hope and humour. The chemistry between them also gives the story a real warmth. By the end you feel like you understand where they are coming from. The production is also slick with some clever projectio...