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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Previewing grey matter: Grey Man @Theatre503

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  Part theatrical experiment, part exploration on perspectives, the Grey Man at Theatre 503 promises to be an interesting night out. Two women, one half the age of the other, take a different perspective to the same event. The piece explores how different perspectives reshape the world around us, and how the power of story telling. Maya is a 50 year old woman revisiting the site of a terrible family tragedy. Meanwhile Maya is 25 year old woman returning to her family to help her sister who is recovering from a mental illness.  One is dark. One is light. And if you missed a line first time around, you are bound to catch it on the second. This is the second production from REND which aims to embark on risk-taking theatre experiences. The piece is written by Lulu Raczka, who was part of the Royal Court Writers Programme in 2014. Her recent work, Clytemnestra, was part of The Iphigenia Quartet at Theatre503’s sister theatre, the Gate.  The piece is directed by Robyn Winfield-Smith, who i
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Passing strangers: Off The Kings Road @JSTheatre

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Off The Kings Road. People come, people go. Nothing happens. Or perhaps not much happens. This isn't Grand Hotel in terms of melodrama or scale. Instead, there are two people in their autumn years trying to get over the past and move on. Oh and there is a hooker, a camp hotel clerk and a dodgy psychiatrist to Skype with. It is an interesting concept. But you get the feeling this small-scale production feels a bit crowded with all these characters. Perhaps played as a two-hander it might have given us the chance to get to know the two main characters more. Michael Brandon plays Matt. He has come to London from California for a holiday after the death of his wife. He has brought his Valium, mouthwash and a sex doll. He is a man trying to get over her passing. He has plans to do all the things they would have wanted to do. Go to the park, go to a gallery. Live life.
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The brown word: The Spoils @TrafStudios

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Bromance is in the air in with The Spoils, Jesse Eisenberg’s funny new play now at Trafalgar Studios. Women and relationships feature throughout the piece. But the real relationship at the heart of this piece is between obnoxious New Yorker Ben, and his flatmate Kalyan, a hard-working immigrant student from Nepal. Eisenberg is making his West End debut as a writer and star of his show which has transferred from New York. As Ben, he is a tightly wound guy full of tics and mannerisms as he rages against everyone and everything. He does not really have a job and lives in a flat his father bought him. It’s a mostly unappealing character but Eisenberg gives him enough of the best lines and occasional vulnerabilities to make you feel a bit sympathetic towards him.
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Mister cellophane: Christie in Love @KingsHeadThtr

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There is always someone that has to takes something too far... Usually it is a joke. Here in Christie In Love, the central message seems to be that Christie's penchant for weird sex practices was a step too far. His punishment was execution. This seemed fitting for a man who indulged in that... And mass murder. Rough Haired Pointer  attempt to understand the motivation of a seemingly dull serial killer John Christie in this production now playing at the Kings Head Theatre . You get the sense that there is a lot more that this piece could have told. Written in 1969, back then there was probably a greater awareness of the details of the case. This production doesn’t let you in on that. The play runs about an hour and calls for the action to be played very slowly. This emphasises the tedium and ordinariness of the man committing the horrors and those uncovering it. But it isn’t always easy to watch and may not to be everyone’s taste. Still for those who are game, there
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Odd Shaped Balls Preview @ORLTheatre

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Now playing at the Old Red Lion theatre is Odd Shaped Balls. It's a play about an outed Rugby Player James and the fallout created from it. Odd Shaped Balls is a one man show that tackles the issue of homosexuality in sport and probes into why it's such a big deal in the first place. And ultimately, isn't it more important how you play the game and work as a team? Matthew Marrs plays James Hall. He has the world at his feet as a professional rugby player but after people find out his sexuality, he finds his life changing dramatically. James has to decide whether he has the courage to not only be true to himself, but act as a role model for others.
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A glass half full: A Twist of Lemmon @St_JamesTheatre

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Every son probably has imitated their father at some point (either intentionally or not). But when your dad is actor Jack Lemmon, you know this is going to be a fascinating night out. Based on his memoir of the same name, A Twist of Lemmon at the St James Theatre studio is Chris Lemmon’s way of giving us a little bit of insight into what it was like growing up as the son of a big Hollywood star. With some simple projections and footage from his career, Chris’s one man show brings to life his father. His mannerisms, his movies, and most of all, his relationship with his son. It is an evening of gentle storytelling, but clever in how it describes not just the life and times of his father, but their at times complex and difficult relationship.
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Kitchen sink dramas: Knife Edge @BigHouseTheatre

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Chicken! Chicken and chips! Chicken! Chicken and chips! Chicken! Chicken and chips! Chicken! Chicken and chips! Early on in Knife Edge, the cast bursts into chanting this. Soon there is a driving percussion backing it and it sounds like it is not just a call to eat but a way of life. And so unfolds a tale written by David Watson and directed by Maggie Norris about a girl with big dreams and more than a few issues. The piece is produced by The Big House . It is a charity that helps young people in care to fulfill their potential. Almost half of all prisoners under 21 have been in care and the charity uses drama, mentoring and support to tackle breaking this cycle. Over 12 weeks they developed the piece and the cast - most have never acted before - worked to devise the production.
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Cooking with gas: Kenny Morgan @ArcolaTheatre

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Gay angst, cigarettes and gas. Kenny Morgan at the Arcola Theatre re imagines Terrence Rattigan’s play The Deep Blue Sea as how things might have happened. The suicide of bit actor Kenneth Morga n may have been the inspiration for this work about a woman abandoned by her alcoholic younger lover. Here Mike Poulton takes the story and places it in gritty, closeted post war Camden. After a decade of living in a closeted relationship with Terrence Ratigan, Kenny Morgan leaves him for a young bisexual actor, Alec.
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