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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Movies: The Producers and the King

Tonight I caught the movie of The Producers as the weather is great for seeing a few films at the moment… As for the film, it isn't bad although I think Will Ferrell can neither act nor sing and Uma Thurman can neither sing nor dance (nor does she have the big tits required for the role). In a way it is amazing how little talent movie and television stars need nowadays. Unfortunately for Will and Uma the need to sing, dance, act and be funny in this movie does not make them look so good…

Anyway the movie is pretty much the same as the show and the original 1968 film. Some scenes seem to be lifted straight from 1968, including the way they were shot which seemed either homage to the original movie or the movie musicals of the 1950s. Whatever the inspiration it looked great (not sure about Broderick's hair colour however).

Pity about the cutting of "The King of Broadway" number however. Apart from being funny, if it were included it might have prepared the audience for the onslaught of broad acting and humour that seems to be what has bugged most people about the film. Then again the length of the film bugs people as well. King Kong is three hours but the gorilla doesn't sing.

Incidentally as the Musical is still playing on the West End there was an ad reminding everyone that they do it eight times a week at the Theatre Royal. Sure Nathan Lane isn't in it, but one suspects that the West End cast are happier that that's the case…

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