Posts

Showing posts with the label Javier de Frutos

Featured Post

Somewhere that's green: Potty the Plant at Wiltons Music Hall

Image
"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...
Read more...

Songs and dancing: Three / 8:38 / Seven @WiltonMusicHall

Image
It was meant to be ballet with songs. But instead after the cancelling of the original programming of Seven Deadly Sins, it became songs and a little bit of choreography. But with its beautiful singing and a chance to see a new dance piece choreographed by Javier De Frutos, Three / 8:38 / Seven shows that simple (although unplanned) premises can make a for a great evening of entertainment. It’s currently at Wiltons Music Hall . The programme opens with “Three”, representing songs from Kurt Weil and Bertolt Brecht’s Threepenny Opera. Beginning with the overture, it sets the mood for the period of Weimar Berlin. It might help to understand the time and context of the piece, but by the time we’re into the Pimp’s Ballad and Mack The Knife (arguably Weil’s biggest hit) it probably doesn’t matter. Next up is the dance piece, 8:38 performed by Viviana Durante and Mbulelo Ndabeni, set to music by Bach and Weil, ending with Lotte Lenya’s version of September Song. As the two dance in s...
Read more...

Death becomes him: Everyman @NationalTheatre

Image
Judgement day and getting taken to the cleaners takes on a new meaning in this spectacular new take on the classic fifteenth century morality play Everyman at the National Theatre with Chiwetel Ejiofor . It feels like every theatrical trick is deployed during the roughly ninety minutes it takes for one man to account for his life. There  is a giant video screen, dazzling lights, a urinating penis prop. It’s all terrific stuff and an awe inspiring updating of the tale to modern and secular London.
Read more...