Paul in London

As the year draws to a close, many writers decide to write up the best or worst things at the theatre they have seen. Since I try to avoid things I know I won’t like, I'm covering what I've noticed are the all-pervasive trends in London theatre this year... Happy New Year... Phones in theatres No theatre space is complete without people wanting to text, secretly film or browse their smartphone. Even at the Royal Opera. As the orchestra started up you could hear the hissing of "turn your phone off" throughout the stalls. I put up with a man sitting next to me who had yet to master the art of silencing his phone by listening to his low battery warning for the first few minutes of the third act. After all, opera-goers can be a tough lot  and I didn’t want trouble. Perhaps we have it all wrong. Theatres could probably win new audiences by having a noisy, phone using section of the theatres. Just like there used to be smoking areas. Just as long as the noisy audie...

The original hooker with a heart of gold (and lungs full of blood) is back at The Royal Opera House for the Christmas period and beyond. It’s a bright and stylish production that was first seen at the Royal Opera twenty five years ago. But La Traviata, or the “fallen woman”, is more than just froth, bubbles and champagne. It’s also about the frailty of life and how redemption can come in many guises. In this particular version conducted by Daniel Oren, it’s the somber more reflective moments that stand out. Whether you like that sort of thing or not.  In case you were wondering if there’s a plot to all these emotions in La Traviata, it centres around Violetta, a courtesan who at one of her lavish parties dumps one lover for another. But her new suitor, a moderately wealthy man called Alfredo, turns out to be more than she expected and they both fall in love. Meanwhile Alfredo’s bourgeois father seeks to restore the family honour while Violetta grapples with moral choices wh...

No Christmas is complete nowadays without an adults-only pantomime. These shows don't have to worry about innuendo, they aim right for the crotch. So it’s no surprise that in Pinocchio No Strings Attached at Above The Stag, the young boy has a different growth to deal with when he tells a lie. But despite an amusing premise and a cast that seems eager to please, the piece is overlong and a bit limp. Set in the fictional Italian port side town called, Placenta, Toymaker Gepetta and her lesbian niece are on the run from the law. Gepetta seeking a man in her life inadvertently calls on the local lesbian fairy Fatima who brings her toy... boy to life. Meanwhile, there’s a wealthy evil landlord, Figaro who wants a piece of the action, a cat with a severe fur ball problem and a footballer thinking of coming out of the closet. For a pantomime, it’s surprisingly faithful to many elements of the Pinocchio story. Albeit with gay, lesbian and pantomime dame flavours. But with many pos...

There is a theatre-sports feel to One Million Tiny Plays About Britain, currently playing at the Jermyn Street Theatre . Two actors are thrown into the challenge of portraying characters of a range of ages and types across Britain with barely seconds to make costume or wig change. At best, there are some touching moments about chance encounters. But by the end, you feel there's a repetitiveness to the characters and their micro stories so that you feel like it's more like a million tiny plays about the same thing. The most fun from this show, however, comes from its send-up of the Jermyn Street Theatre and audiences that you likely find here. Before the show begins, the actors are playing ushers telling the audience where to go, with a direct yet amusing twist. The theatre announcements, including when the toilets are about to be closed are delivered with elaborations. And before the second half gets underway, we're treated to a game of bingo. Playing the various...

The Dorfman Theatre at the National is transformed into a thicket of imagination (and a few scares) in this brisk and evocative adaptation of Neil Gaiman's book of the same name by Joel Horwood. Even if you're unfamiliar with the book, this production directed by Katy Rudd, quickly establishes a strange and unusual world. And not just because it was set in 1983 when T-shirts were always pastel colours and hair had to have a perm. With a strong cast and endless theatrical tricks, you'll find yourself enthralled in its exploration around how people remember the past and the blurring of reality and fantasy that come with memories and time. Opening with a funeral, a man returns to his hometown and stops by the place where he remembers a girl called Lettie who he knew as a young man. There he encounters her grandmother again and soon is transported back to the time when they knew each other as a boy, which just so happens to be the early 1980s. The boy (Samuel Blenki...

Winsome Pinnock’s play, One Under revisits the aftermath of a young black man’s suicide on the London Underground. The pieces of his life are recreated in search of meaning. It’s a fascinating (albeit slowly paced) tale about a life not lived. Produced by Graeae, which specialises in placing deaf and disabled artists on stage alongside Theatre Royal Plymouth, it’s been on tour before settling in for a short run at the Arcola Theatre . He’s Sonny by name and by nature. But something isn’t quite right. He thinks people follow him and watch him. He has lots of money too. Is he paranoid, or are there darker forces at play? After his death, the tube driver of the train that killed him, Cyrus (Stanley J Browne), goes on a mission to find sense out the senseless loss of life. Befriending his adopted mother and tracking down he is girlfriend at a laundrette, his determination to make sense of it all starts to become an obsession itself. The play underscores that despite appearances, ...

God is back, and she wants to correct the record in 90 minutes on a stage under Waterloo Station. If that seems like a fair enough premise for you, then An Act of God is currently playing through to the new year at The Vaults . It’s such a mild satirical piece that you’ll be smirking out loud rather than laughing out loud. However, as an alternative Christmas experience with a terrific bar and an enthusiastic cast, it’s mostly harmless. God has come to London to correct the record on a range of misinterpretations of her Ten Commandments. The Palladium was unavailable, but the damp space of The Vaults was free. This time around the tablets are different (an IPad of course) and so are the messages about leaving God out of the war, travelling or sex. New material has been added to keep it topical. But the comic timing seems off and attempts to introduce theological debate into the proceedings fall flat. This makes the reissuing of the 10 commandments feel a bit of a chore. Or lik...

The Pleasance Theatre is transformed into a dump with Sink The Pink’s Escape From Planet Trash. A high-concept, camp yet environmentally friendly take on the traditional pantomime. It’s environmentally friendly as jokes were either recycled or used sparingly. But it’s hard not to like a show that puts drag queens in space in search of trash. Set a few decades into the future, a queer space exploration team go in search of some discarded materials on Planet Trash that they believe will help their mission. At least I think that’s what was the point. The plot wasn’t always easy to follow due to poor sound quality. But while on Plant Trash they stumble upon Ginger Johnson and her son (Davina Cumming), the last remaining humans on the doomed planet. And the doomed world turns out to be the former planet Earth which is now floating about in an interplanetary graveyard. Meanwhile, there is some sort of evil force lurking around as it turns out the Christmas is coming. While ...

In the dog eat dog world of new musicals, a brand new one has arrived at the studio space of The Other Palace . It’s about the dog eat dog world of writers and plagiarism during the switch from silent pictures to talkies. A story about a small-time hoodlum who passes off scripts as his sounds like an excellent premise for a show. And some good parts make up the show. But probably not enough to take this show further in its current form. The good parts include the cast, which often high kicks and dances across the small stage. There’s Maddy Banks who plays Michelle. A young girl at a finishing school in France who spends her time in between learning how to be a proper lady writing her first screenplay. And Jeremy Secomb playing Freddy Larceny. A small-time crook, who passes off scripts as his own to Hollywood studios. And there’s Ed Wade as Archie the lawyer trying to trap Freddy in between making eyes for Michelle. Each of them have their moments throughout the piece. Alas, F...

An alternative to Christmas panto season has landed at Charing Cross Theatre in the form of Soho Cinders. A Cinderella goes gay story with music by Stiles and Drewe. But something's a little queer with this adaptation. Catchy songs, humour and a great (although not very diverse) cast don't overcome what feels like a dated, awkward story. In this story set against the backdrop of the London Mayoral election, our Soho Cinders, Robbie (Luke Bayer) is working at a laundromat with his pal Velcro (Millie O'Connell). Somehow he manages to hook up at the notorious hook-up point Trafalgar Square (who knew?) with Mayoral candidate and ex-swimmer James Prince (Lewis Asquith). But the problem is the candidate already has a fiancé (Tori Hargreaves). And she's nice. It's hard to get too enthused about a relationship forged in the shadows of Nelson's column while his other half is waiting at home with a bottle of wine. To give the show it's panto feel, there a...

From 100 scenes that run over 500 pages comes [Blank], which is currently running at the Donmar Warehouse . It’s a do it yourself play by Alice Birch where the production can choose the number of scenes and the order of them. Thumbing through the play text, I first assumed it would be an epic night out at the theatre. Thankfully Director Maria Aberg has chosen thirty of them, and the end result is an evocative and emotional journey of women on the margins of society. Or at least that’s what it seemed to me. It becomes a do-it-yourself play for the audience too as you begin to piece together the various characters before and start making connections about what you’re seeing. And as windows smash, crockery breaks or salty pasta gets eaten, what emerges are the struggles of a range of different women who find themselves in circumstances they cannot escape from. Women in prison, or a refuge, or selling themselves to get by. In the light of the #metoo era, which is hilariously put down ...

America has Trump, Britain has Boris, and South Africa had Jacob Zuma. Old men fade from power and eventually die, and no skeleton is left in the closet in the Ice Cream Boys by Gail Louw. For ninety minutes, they bitch and moan about the state of their country and the path their lives have taken. It just so happens that one of the men is Jacob Zuma, former President of South Africa. The other is Ronnie Kasrils, former Minister for Intelligence Services and critic of Zuma. It sets out in a breathtaking edge-of-your-seat way, both a historical and personal account of the struggles of the country. Full of passion and fire, it's currently playing at the Jermyn Street Theatre . The two men meet by chance in a hospital. Kasrils (Jack Klaff) is there to have a melanoma removed. Zuma (Andrew Francis) is there to have his prostate checked. They are in adjacent rooms tended to by a young nurse, Thandi, who lives in a township some distance away (Bu Kunene). For those familiar wit...

The pseudoscience of detox diets and fasting is given some historical context in Fast. Kate Barton's tale of Linda Hazzard, a quack doctor who inadvertently killed many of her patients is given the once over in this brisk adaptation of her life and crimes against science. It's a fascinating tale, but the roundabout way in which the story unfolds seems to undermine the tension, absurdities and horror of the story. It's currently playing at the Park Theatre . The piece centres around two wealthy English sisters travelling in Washington who stumble across Linda Hazzard's book, Fasting For The Cure Of Disease. The book is a curious polemic about how any disease can be treated through a series of fasting to cleanse the body of unspecified toxins. Available to read on the internet , it's like reading one of those self-published books on Amazon that has a curiously high number of five-star reviews. Hazzard was clearly ahead of her time. If she were alive today, she wou...

The Old Red Lion Theatre during the summer months is hot and oppressive at the best of times. But theatre troupe The Knock Knock Club decided to hold a seance and a ghost hunt at the venue to see if there was any truth the number of hauntings that people have reported. There's been a pub on the site of the Old Red Lion since 1415. Over the years, there's been reported sightings of spirits of the non-alcoholic kind.  There are enough witness accounts of a ghost on every floor of the venue. There's the ghost who likes the drama (but not lost Arthur Miller plays) on the theatre floor. There's the ghost at the bar level that wants to fling glassware and frighted the resident dog. And below the bar at cellar level, there's something like the gateway to the underworld that freaks everyone out. The show is part documentary about what the troupe did over the summer and part unearthing bizarre facts about the Old Red Lion. It's funny and intriguing as the te...

Watching Tick, Tick... Boom at the Bridge House Theatre , a play about young thirty-somethings in 1990 makes you realise that if they were alive today, they would be becoming sexagenarians. The passing of time and the struggles of being creative in New York are at the heart of this piece. Now it's over to a new generation to sing about about Jonathan Larson's anxieties about creativity, composition and getting older. It's made all the more bittersweet given the composer (and lead character Jon), Jonathan Larson died in 1996, six years after this piece is set. His death was also just before his show, Rent would open and become a big success. Tick, Tick... Boom!  was initially conceived as a solo work for Larson after his struggles to mount a show he was developing. After his death, it was reworked into a three-hander which is the version that we see today. While there are many musical theatre references, particularly to Sondheim, what’s interesting about the show ...

Two ladies looking for wealthy men to marry might seem like an unusual musical for revival in this #metoo era. But with Gentlemen Prefer Blondes, the Union Theatre transforms into a bubbling 1920s escapist fantasy. Amongst the froth, there are also some shrewd observations about harassment and survival in a man’s world. And with a terrific cast, exhilarating dance numbers and a fabulous set and costumes, it has to be one of the best things to see on the fringe right now. The tale of blonde gold-digger from Little Rock may be forever associated with Marilyn Monroe and Jane Russell. Walking into the Union Theatre with its red stage feels like a reminder this is the show where Marilyn performs Diamonds Are A Girls Best Friend. But the musical, which dates from an earlier, more risque time has a lot more to say than the film. Unwanted advances, criminal charges and a revolutionary device that will change the face of fashion. It’s all here among some exuberant musical numbers. The ...

You know things have really gone to the dogs when four-legged friends are being rounded up and used as collateral. The dogs are used by migrants to pay to escape to a better life in East Oolia. Such is the slightly absurd but strangely familiar tale called The Border by Afsaneh Gray . It’s just finished playing at the Peckham Theatre but continues touring other sites and schools. It opens with a young girl from the fictitious town of East Oolia called Julia. She’s just lost her dog as a border wall went up to divide East and West Oolia, and he ended up on the wrong side of the fence. The mayor did it to deliver on an election promise and to stop those West Oolians taking jobs from the East Oolians (or something like that). As Julia embarks on a quest to find her dog, she stumbles into a divided country. Her own family is divided, and immigration and crime (in the form of dog theft), is spiralling out of control. Things get really interesting towards the end when the actors b...

The only thing missing when you walk into The Bunker and see it transformed into a working pub is the smell. That unmistakable smell of stale beer that permeates those old places is missing. But everything else is there. The worn carpet, the pool table, the tat on the walls. It's a terrific way to set the scene for the next two hours of comedy and drama that is Anna Jordan's We Anchor In Hope. Set on the last night of the Anchor, a pub trapped in the eighties when it's 2016 and located somewhere around Pimlico in London. The pub's been sold and about to be redeveloped into luxury flats (or perhaps a Tesco Express). The night before it was packed for the formal closing. But on the final night, a couple of regulars, the bar staff and landlord get together for one last time. But as the bar slowly runs dry and everything is cleared out (even the Aperol), things take a darker turn. And what's revealed is less of a community than a series of frustrations and unreali...

Written fifteen years ago as an absurdist comedy, a portrayal of an attempt by a far-right group to set up a white-supremacist state in East Anglia could today be seen more like a documentary of today’s troubling times. But there is nothing like a funny and timely reminder of the deadly threat that far-right groups still pose to this country.   Partially inspired by the neo-Nazi group Combat 18’s attempts to set up such a homeland in the 1990s, it follows an MI6 agent’s attempt to infiltrate the group.  But a funny thing happens on the way to set up a white-supremacist enclave as a gruesome murder is committed on some waste ground in Harlow. Well, Rome wasn’t built in a day either. But Peter Hamilton’s play, Danelaw is currently playing at the Old Red Lion Theatre until 5 October. See it and laugh nervously...