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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Manhunt: In Search of a White Identity @TheActorsCentre

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After a summer of protests and counter-protests, In Search of a White Identity looks at what happens next. Patrick and Mickey are in a cell. Both were arrested at the same protest but from opposite sides. Mickey and his like-minded people have a beef with immigrants who have out-priced him at work or on the property ladder. So he hit some guy. And Patrick’s been arrested for threatening behaviour after getting caught up with a group who were trying to take down statues.  While sizing each other up, they realise they’d grown up in the same neighbourhood. Back then, everyone got on. Or so it seemed. Nostalgia gives way to darker, harsher memories of abuse, fear and poverty. And the search for a single cause of their grievances finds that it is the conversation rather than the rhetoric that  makes all the difference. Initially presented in 2019, it has been reimagined after the events of 2020. After all, there was a time over the summer that Saturday afternoon around Trafalgar S...

Signs of life online and in concert...

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While theatre is slowly showing signs of reopening in the coming month I’ve seen my first show indoors. In Italy. A concert. No temperature checks just leave your name and wear a mask throughout the concert. And sit relatively apart from strangers within a small church where the concert was taking place. It was great to see something. Anything. After so many months.  The transmission rates are lower in Italy, and they do appear to be taking Covid19 a lot more seriously than in the UK. Leaving your name and phone number is a requirement. Posters are everywhere reminding people to wash their hands and keep a distance. Indoor spaces are well ventilated. Everyone wears a mask without making a fuss. Hopefully following these simple rules without over-complicating things will allow venues to open up where possible.  Until then, The Public Campaign for the Arts has launched a new online platform, creating an unprecedented support link between UK citizens and their cultural organisat...