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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Opera: Cendrillon



Cendrillon at the Royal Opera looks great and has a great cast. Joyce DiDonato in the title role is a delight as the strong willed Cinderella. Eglise Gutiérrez as the fairy godmother looks like she would be as much at home on the stage of Priscilla Queen of the Desert as she would at Covent Garden (although she sounded a lot better of course)... She looks like she is having fun waving her wand and watching the magic unfold...

Alas the opera is heavy going for a fairy tale. Part of the problem is that telling the story of Cinderella for three hours requires some memorable music and some frightfully comedy. The direction is somewhat inspired and wrestles out as much comedy as is probably possible. This includes a very wicked Ewa Podles as stepmother. But what is left is a piece that could do with some merciless editing, and perhaps removing a subplot, trimming an aria (or two) and one of the ballet sequences... That would probably make it not just family friendly, but friendly to everyone...

It is also rather brave to stage a show in the summer in this country called Cinderella. I've noticed that people tend to insist (although less so for Rossini's La Cenerentola) that anything called "Cinderella" just has to be a panto and will stubbornly refuse to attend unless it is around Christmas... But it would still make a sensible evening out... There is also a BP Summer Screens presentation of it on the 13 July, so there is a chance to try it before you buy it completely too...

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