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Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Ruthless People: Ruthless - Arches Lane Theatre

Production photo

What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea.

Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in The New York TimesTypically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering pizza from the venue next door in Battersea. We’re meant to judge her for what she didn’t do, but I couldn’t get past the wig and the pizza. 


The Madoffs have had several treatments of their lifestyle over the years. There was Cate Blanchett in Blue Jasmine (directed by Woody Allen) and various other productions that borrow from some aspects of the tale. But none feel like they capture the story of rags to riches and back to rags. 

For a one-person show, the decision to add additional voices and walk-on roles doesn’t add a great deal to the proceedings. It would have been more fun (and more dramatically rewarding) to have the conversations remain in Ruth’s head.

The play asks the question, how well do you know your partner? Or your family or friends? But perhaps the real question is when you can be sure of making the right decision. Even one taken many years ago when you were younger. Ruth married Bernie Madoff when she was 18 and was with him regardless of how many infidelities or frauds he may have committed. Living without regrets is one thing, but living with poor choices is another. And given the real-life Ruth Madoff purportedly has to report any expenditure over $100 to ensure she has no hidden accounts. Given the cost of living in America, that would be a fascinating monologue. 

Written and directed by Roger Steinmann, Ruthless plays at Arches Lane Theatre until 29 June. 

⭐️⭐️⭐️
Production photos by Roger Steinmann

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