Overheard on Clapham High Street Wednesday

Woman on phone: Yeah and he like followed me all the way to where I was getting my eyebrows done... Can you believe that? Can you? Can you?

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Heart and music: Don Black's From The Heart at the Garrick Theatre London

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By his own admission, it took about 30 years to bring this song collection to the stage, but Don Black’s From the Heart has been worth the wait. With a vibe designed to evoke a New York cabaret venue, albeit on a slightly grander scale, the piece showcases Black’s ingenuity in creating deceptively simple lyrics, along with his love of music and comedy. It’s running for a limited time at the Garrick Theatre .  The premise is simple: to capture the feel of New York’s cabaret venues. A series of songs, mostly new ones written for the show, run through a variety of moods. With each song running a little more than three minutes, the show moves briskly. Each offers a chance to appreciate Black’s economical lyrics, flashes of deadpan comedy, and occasional inspired choices, such as rhyming sex with the (artist) Lautrec.  A classy ensemble also brings these songs (and the stories they tell) to life. Clive Rowe delivers the first laughs with a song about doctors. The song is simpl...
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Bare emotions: Gods and Monsters @swkplay

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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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Gay Gore: Sex/Crime @sohotheatre

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At a point early on in Sex / Crime, the lights go dark in a room covered in plastic with a rubber floor, and all you can hear are the screams. The mind is left to imagine just what pre-negotiated terror is unfolding. Until it becomes clear, nothing is happening, and we can all laugh. Part tease and part terror, the piece unfolds against a backdrop of gay fetishism and modern-day neuroses. It’s currently playing at the Soho Theatre upstairs. Written and performed by Alexis Gregory, he’s visiting a man with a specialism, who goes by the name of A (Jonny Woo). He provides a service of reenacting the works of famous gay serial killers for the right fee. Just the thing for a man who is bored with his life and searching for the next extra special thrill.  With the promise of experiencing what it was like to be a victim of one of these killers. Or as close as far as health and safety regulations allow. If gay serial killers and the people who fetishise them seems a queasy topi...
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