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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

In jokes and big vocals: Forbidden Broadway @MenChocFactory

If you are overly familiar with musical theatre and what is on offer on the West End, catching Forbidden Broadway at the Menier Chocolate Factory is a must this summer.

The long running series from New York, conceived and written by Gerard Alessandrini, it is a combination of greatest hits from previous incarnations of the show and wry new observations.

The new material includes send ups of Matilda and an over-reliance on child actors in British musicals, Once with its bizarre plot device and the foul mouthed Book of Mormon.


There is a hilarious dig at the tendency for the Chichester Festival to come up with endless bland revivals of old hoary musicals (such as The Pyjama Game). But the best song in the show is actually not from a musical (yet), but from Disney's Frozen. Idina Menzel's /Adele Dazeem's showstopping song, Let it Go, is presented as Let it Blow, referring to her bellowing vocals and how "nodes never bothered me anyway".

Other shows such as overblown productions of Miss Saigon and the never-ending run of Phantom and Les Miserables are also sent up rather cheekily.

The corporatisation of the West End is lamented in the parodies, but of course savvy Londoners know that Fringe venues like the Chocolate Factory are much better places to catch theatrical entertainment nowadays anyway.

It is not just cheap laughs however as there is a very fine cast of singers (and impersonators). Included in the lineup is Anna-Jane Casey and Sophie-Louise Dann. Both ladies only have to show their faces to elicit laughs. There is also a surprise comic turn by Damian Hubley, who after the short run with Andrew Lippa's cabaret, shows he knows a thing or two about comic timing.

All good fun and a great show. Performances run through to 16 August at the Chocolate Factory.

****

Photos: Production Photos

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