Featured Post

Somewhere that's green: Potty the Plant at Wiltons Music Hall

Image
"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Immigrants getting the job done: Carmen @KingsHeadThtr



Carmen can survive being messed about. After all she’s wearing a gorilla suit at the Royal Opera's current production. Here she’s an immigrant working in a bar,selling NHS drugs on the side and picking up footballers to make ends meet. It’s a grittier, funnier take on Bizet’s opera complete with some fine singing. And it’s currently playing at the Kings Head Theatre.

This version by Mary Franklin and Ashley Pearson is like La Tragédie de Carmen, adapted by Peter Brook in the early 1980s. Both dispense with a large ensemble to focus on the love triangle. But in this English version there’s more laughs. Albeit against a grim backdrop of low paid jobs, living out of cars and footballers looking for cheap thrills. You’re never quite sure if you should be laughing or recoiling from the comedy-drama unfolding as the vocals are soaring. But then again comedy is tragedy plus time...

The role of Carmen is shared. I saw it played by American Mezzo Soprano Jane Monari. Her Carmen is a sweet, resourceful woman. So much so that you’re led to believe her acts of seduction are part of the life of someone who is just about managing.

Tenor Roger Paterson with his strong voice makes for a convincing Jose. Here as an NHS nurse who takes the rap for stealing drugs and then becomes Carmen’s tormentor.

Dan D’Souza makes for a dashing and charismatic Escamillio. Although it might have been more inspired (and believable) to make him a footballer in a lower division.

Under the music direction of Juliane Gallant and sound designer David Eaton they create an evocative soundscape that makes you forget this is a small scale production.

Directed by Mary Franklin, Carmen is at the Kings Head Theatre until 9 March.

⭐️⭐️⭐️⭐️



Photos by Nick Rutter

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...