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Wine time: The Frogs - Southwark Playhouse

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For a show called The Frogs, there isn’t much amphibian activity in the piece. But being a show with music by Stephen Sondheim, you could be mistaken for thinking it’s a critical theatrical piece. But like Sondheim’s final musical playing at the National Theatre, while it may not be a musical that fills you with provocative thoughts, it’s a fast-paced romp through hell and back to save the world for the sake of arts. With rousing choruses, thrilling choreography and plenty of cheap laughs, what more can you want from the theatre? It’s currently playing at the Southwark Playhouse (Borough) . There isn’t much to the plot, except that Dionysus (Dan Buckley), disillusioned by the state of a divided world, and his sidekick and slave, Xanthias (Kevin McHale), cross the river Styx to the underworld to find a great writer who they can return to the world to teach the world about life. He has his mind set on bringing back George Bernard Shaw until he hears the poetry of Shakespeare.  This v...

Sex, violence and caviar: Men's Business @finborough

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Life's a dog in Men's Business. It's a nasty, cruel life where amongst the banality of everything, love, or something resembling a bit of it, exists out of a butcher's shop. And in between feeding dogs or chopping up offcuts of meat to sell as pet food, there's always time for sex and violence. The play gets into these dark and disturbing themes, inviting the audience to immerse themselves in this claustrophobic world. It's not a pleasant night at the theatre. Still, the intensity of the piece in the confined space of the Finborough Theatre and the exploration of these ideas make for an engrossing experience.   This is a new translation by Simon Stephens of Franz Xaver Kroetz's work. Initially published in 1972 and would later be expanded in the piece Through The Leaves, the action is set in a butcher's shop.  We're introduced to Charlie (Lauren Farrell), who inherited the shop from her father. Family don't seem to be around anymore. All she has...

Age of innocence: Country Music @Omnibus_Theatre

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The latest instalment of the Up series landed this week. It tracks the lives of a bunch of unrepresentative British people every seven years. Fascinating in its ordinariness and irritating by director Michael Apted's random and pompous commentary, it was on my mind as I was watching Country Music. It's a much more subtle exploration on how people change over time. Or at least your perception of them. And how your life can be shaped from your early years in ways you can never appreciate. It's currently playing at the Omnibus Theatre . Jamie (Cary Cranson) and his girl from school, Lynsey (Rebecca Stone) are in a car Jamie has stolen. Along with a large bag of crisps. It's 1983, and they're just out of school. They talk about getting away and the benefits of different flavours of crisps. But beneath the surface, something isn't quite right. Jamie has a short fuse. There's talk about a mighty fight. And soon, Lynsey is scared. Things jump forward a f...