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Wine time: The Frogs - Southwark Playhouse

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For a show called The Frogs, there isn’t much amphibian activity in the piece. But being a show with music by Stephen Sondheim, you could be mistaken for thinking it’s a critical theatrical piece. But like Sondheim’s final musical playing at the National Theatre, while it may not be a musical that fills you with provocative thoughts, it’s a fast-paced romp through hell and back to save the world for the sake of arts. With rousing choruses, thrilling choreography and plenty of cheap laughs, what more can you want from the theatre? It’s currently playing at the Southwark Playhouse (Borough) . There isn’t much to the plot, except that Dionysus (Dan Buckley), disillusioned by the state of a divided world, and his sidekick and slave, Xanthias (Kevin McHale), cross the river Styx to the underworld to find a great writer who they can return to the world to teach the world about life. He has his mind set on bringing back George Bernard Shaw until he hears the poetry of Shakespeare.  This v...

You gotta get a gimmick: Hand to God @handtogodlondon

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Hand to God has landed in the West End after a successful run on Broadway. It's been described as Sesame Street meets the Exorcist but something seems lost in translation in its trip across the pond. The comedy seems forced and the attempts to shock seem like they miss the target for London audiences. After all, this is a city where its buses advertised that God probably doesn't exist. Fanaticism and seeing things only in black and white is not really what we do over here. It's a shame as while there is a heavy handed preachy message that misses its mark, there are also some great performances. And some very funny use of sock puppets.

Life upon the wicked stage: Birdman (it's only a movie not a play)

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It isn't theatre, but a film that is sort of about theatre,  Birdman  opens here on 1 January. It  brings back to the screen Michael Keaton as a former movie star from a successful comic book franchise. Washed up and without a movie career, he is planning a comeback by writing, directing and starring in a Broadway play, based on a Raymond Carver short story. Keaton's character Riggan Thompson sees the piece as his chance for validation, yet at every step he feels frustrated by his fellow actors and haunted by the voice of his superhero alter-ego, Birdman. His daughter who is a recovering addict and supporting him on the show tells him that he is no longer relevant and he should just get over it like everyone else.