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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Incestual manoeuvres: Fool For Love @Found111ldn

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  There are various things you can take from Fool For Love playing at Found111 . There isn’t much of a plot. It is more a series of sparring rounds that serve as a star vehicle for great performances. But you walk away thinking how love fades, horse floats burn well and incest is rife. It’s random in a way but enough to thrill and amuse. The couple in focus are Eddie ( Adam Rothenberg ) and May ( Lydia Wilson ). They take pot shots at each other and then kiss and make up. Along the way there is a mysterious old man (Joe McGann) and a new suitor Martin (Luke Neal). Sam Shepard wrote this piece between love affairs. He covers how two people can simultaneously love and loathe each other. But past injustices give way to more secrets and lies that suggest that old wounds don’t heal. They just get ripped open again and again.