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Showing posts with the label damian humbley

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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

It’s not where you start: Songs for A New World @St_JamesTheatre

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Twenty years after it first premiered Off-Broadway, the song-cycle / revue Songs For A New World at the St James Theatre serves as a useful introduction to composer-lyricist Jason Robert Brown’s early work. It’s initially exciting to watch four accomplished performers (mostly) handle his vocally demanding work. But the effect of 90 minutes of his music straight through makes you feel as if you are trapped in a world that is a bit repetitive. It starts out spectacularly with the opening number “The New World”, a song about starting over. And then there is a song about endings, another about loss, and another about new beginnings. By the half way point, the limitations of the music become apparent.

Revisiting in jokes and theatrical barbs: Forbidden Broadway on the West End

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It has another month to run, but Forbidden Broadway is a bit of a guilty pleasure. Full of in-jokes and send ups of shows on the West End (and Broadway) it is a lot of fun, but also a chance to see four actors wow us with their singing and comic abilities. The silliness becomes infectious to the point that the spoof of Once becomes so hysterically funny even the cast have trouble keeping it together. Christinia Bianco is off this week, but Laura Tebbutt is an equally funny impersonator - particularly of Kristin Chenoweth and Idina Menzel. Let it blow (a parody of the enduring song Let it Go) is a particularly evening highlight.