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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...
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Opera and horseplay: Falstaff

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The Royal Opera's updated production of Verdi's Falstaff received mixed reviews from the audience on Tuesday night. Most people loved the performances, but when it was time for the production team to head onstage, there were some very audible boos (not to be confused with Audioboos ). The gentleman next to me booed. He had had been tut tutting throughout most of the opera (particularly as the curtain went up revealing a dazzlingly bright 1950s kitchen in the second act), so it probably was not a surprise, but he did it with such gusto the sound reverberated around. It is great that so many people are so passionate about Falstaff. It's a wonderful opera about a man who gets his comeuppance. While the production does update the setting from Elizabethan England to 1950s England, for the most part this change does not get in the way of the proceedings. The final scene in the second act in that kitchen was a little clunky and mistimed so much that it was obvious to most of ...
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