Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre
Why they did this is part of what the play explores. Max seems to have sought solace from Tom, his partner, as Charlie grew increasingly paranoid and controlling. Yet alone in the woods, with no phone signal and not much to do, Charlie finds himself controlled by Tom. Forbidden from going out, and only allowed to cook and clean. As the pandemic drags on, the tedium gives way to fear and paranoia. Particularly when the axe used to chop wood disappears, and Max’s boyfriend Charlie arrives at the cabin, telling Max he’s in danger.
As an exploration of possession and power plays, the piece is strong. It seems the central argument concerns the impact of trauma and crisis on power and relationships. The piece is billed as a queer thriller. But if the performers weren’t three males, there isn’t much else to suggest anything queer (or even just a bit gay). Tom even talks about starting a family. It felt hard to understand how Tom and Max, and Max and Charlie, ever got together in the first place. Maybe their expressions of love are meant to feel empty. I began to wonder during this piece whether sexual orientation mattered and what it would be like if the characters were any gender.
Directed by Lucy Foster, An Instinct is at the Old Red Lion Theatre until 6 December.
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Photos by Craig Fuller