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Wine time: The Frogs - Southwark Playhouse

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For a show called The Frogs, there isn’t much amphibian activity in the piece. But being a show with music by Stephen Sondheim, you could be mistaken for thinking it’s a critical theatrical piece. But like Sondheim’s final musical playing at the National Theatre, while it may not be a musical that fills you with provocative thoughts, it’s a fast-paced romp through hell and back to save the world for the sake of arts. With rousing choruses, thrilling choreography and plenty of cheap laughs, what more can you want from the theatre? It’s currently playing at the Southwark Playhouse (Borough) . There isn’t much to the plot, except that Dionysus (Dan Buckley), disillusioned by the state of a divided world, and his sidekick and slave, Xanthias (Kevin McHale), cross the river Styx to the underworld to find a great writer who they can return to the world to teach the world about life. He has his mind set on bringing back George Bernard Shaw until he hears the poetry of Shakespeare.  This v...

Theatre: Rose and other adventures...

In the month it took to get my internet put up I did get up to the following:
  • Caught The Rose Tattoo with Zoe Wanamaker. Great play and well worth the £10 tix. It is great to see more Tennessee Williams plays in London and here is hoping that the fashion for reviving his work continues... It wasn't hard to resist doing ones best impersonation of Sicilian impersonator with colleague AW. It sort of goes, "Naw naw naw naw naw... Naht mah Rrrrose!" Perhaps it was the fine wine, but after the play AW and I photographed the grass on the theatre and groped a cast iron statue on Waterloo Bridge... It was a great night...
  • Saw Pelléas et Mélisande (translated: Pelléas and Mélisande) at the Royal Opera. I had been warned that the opera was boring so sat in the cheap seats but it turned out to be all rather exciting and dramatic. Sure it all ends in tears but what a way to go... The champagne at interval cost more than the ticket but it was all rather worth it... Particularly when Sir Simon Rattle was conducting...
  • Performed in London Gay Mens Chorus concerts in Edinburgh and Glasgow. It was music for bad boys that included Relax (don't do it) and the march and chorus from Carmen. I had a reading to do from Larry Kramer's lovely novel Faggots which went down like a treat too. Maybe it was in the intonation, my lovely dulcet tones, I just don't know. The choir will not be so much under the influence of Irn-Bru as well... I relied on it to get through the weekend concerts (particularly after arriving in Edinburgh having had not much sleep)...I won't be in the concert when it gets to London's Cadogan Hall in July but it is well worth booking for asap as it should sell out...

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
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Fantasies: Afterglow @Swkplay

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Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
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