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Eyes, hair, mouth: Darkie Armo Girl at Finborough Theatre

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Darkie Armo Girl, Karine Bedrossian’s electrifying one-woman show, commands attention from the moment it begins. First performed in 2022 and revived last year, it now returns for extra performance and it's an event not to miss. The show takes you through the thrills and horrors of a hectic life. She struts, shimmies, and taunts while revealing some horrific truths. She is such an irresistible storyteller that you find yourself hooked. The story is one of fame, glamour, abuse, self-harm, and suicide. If that subject matter doesn't sound like your cup of tea, you haven't seen it delivered with such high energy and provocation. It's currently at the Finborough Theatre . The show's title refers to a slur a popular girl at school once called her. Her ancestry is Armenian, and her parents were from Cyprus, where they fled the civil war and arrived in the UK with nothing. Shortly after she was born in Roehampton. The birth was an emergency C-section that left the baby and ...

Theatre: Cat On A Hot Tin Roof



This week I finally caught up with Cat On A Hot Tin Roof that has been playing for a while. Directed by Debbie Allen, the all-black cast in Tenessee William's play about Brick, a man who is sexually ambivalent about his wife Maggie, while visiting his family estate in Mississippi. Given that Brick is played by Adrian Lester and the show opens with him taking a shower you could appreciate why she is a little frustrated by this scenario. The audience the night I saw it became a little frisky after this opening scene as well...

It's not my favourite Tenessee William's play and there is way too much exposition and labouring on about Maggie being like a cat... On a tin roof... That was hot... It was hard to buy Lester as an alcoholic either mourning over the loss of his dead friend or on the down-low. More convincing was that he was pissed off rather than pissed with his moody looks and occasional throwing of his crutch...

Still it was an entertaining production, particularly with the sharp second act where Brick and Big Daddy (James Earl Jones) trade barbs and confront the truth. In the end though, particularly with an overlong third act it was hard to work out what the central message is. Maybe it is large tracts of land can conceal anything... It runs until April...

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