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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Opera: Manon

Last Tuesday night's opening night of Manon at the Royal Opera was a surprise. A four hour opera comique that was so engaging and so thrilling that you didn't care you had been there all evening watching the melodrama unfold, and you would not have minded staying longer... There is something very engaging about watching how somebody's choices in life lead to their own downfall... And of course there is great music, beautiful costumes and interesting sets... Some wonderful photos from the evening are on Intermezzo's blog.

This is a new production of Jules Massenet's opera and while the story has been updated and made sexier by Laurent Pelly, the stars of the show were Anna Netrebko and Vittorio Grigolo in the lead roles (featured above). Despite a high profile in both USA and Australia (something to do with a best selling crossover album and a stint on Dancing with the Stars), Grigolo was making his Royal Opera debut and from his arrival on stage you could feel the audience sit up and take notice... We were watching something potentially special here. While his singing style may not be to all tastes, there was so much passion and fire between the two, and the production felt so intimate that you could have been forgiven for feeling a tad voyeuristic.

Watching Netrebko in this piece was watching a marathon runner at peak form as her character moves from innocent to schemer, to fallen woman. It was one of those nights at the opera where the casting, production and music all fall into place... It runs until 10 July and it would be a shame to miss it... Grigolo will also be releasing an album entitled "The Italian Tenor" which will be out later this year and I suspect we will be hearing a lot more from him...

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
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Fantasies: Afterglow @Swkplay

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Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
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