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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Music: Andreas Scholl and Philippe Jaroussky


Purcell - Philippe Jaroussky,
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An evening with two countertenors might be one thing, but when they are Philippe Jaroussky and Andreas Scholl it makes for quite a night (albeit an androgynous one) at the Barbican. The countertenor is the twentieth century response to the castrati performers of past. But the arrival of some very talented (and rather good looking) men such as Scholl and Jaroussky has put this singing onto a whole other level.

I'm assuming the above video from a previous performance was posted on the internet by one of Jaroussky's groupies, who travel the world to see him perform (and reportedly go weak at the knees and post loads of clips on Youtube). The fan base is probably too sophisticated to throw knickers on stage at the end of the concert, but at Tuesday night's sold out performance there were plenty of fans of both men there, and they showed their appreciation instead through rapturous applause. And of course the men deserved this attention.

What was striking about this concert were the performances and when the two performed together their voices complemented each other beautifully. The audience was generous in its praise and while Purcell like other early music composers is not necessarily the first music I would turn to listen to, I was more than happy to enjoy an evening of it.

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