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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Under the influence: Liza on an E

Australian performer Trevor Ashley makes his West End debut this week in his show Liza (on an E) at the Vaudeville Theatre. What could be just another pub drag tribute act is given a lift by an energetic performance, some great singing and classy big band under the music direction of George Dyer.

Ashley created the role of Miss Understanding in the original Australian production of Priscilla Queen of the Desert and he has performed a variety of cabaret shows. But here the focus is on Liza Minnelli, which even though he doesn't quite look like Liza (more like a character from Little Britain perhaps), he manages to successfully channel her mannerisms and quirks. Even if you don't know her history as a performer (such as yes she really did do a duet with Donna Summer in the eighties) he covers her career with a variety of songs that makes for an evening that is is a lot of fun.


The songs were either recreations of songs Minnelli has made famous throughout her career, or slight modifications (written with Ashley's collaborator Dean Bryant) that predictably reference drugs, alcohol or marrying gay men. If you have seen Minnelli perform you might think it is not quite the same thing, but equally at times you will forget it is a bloke up there... People were having a hell of a time with the antics and great music.

It's on at the Vaudeville Theatre until Saturday and look for offers online. Hopefully we will be seeing more of Trevor Ashley either in the West End or on the Cabaret scene in future.

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