Featured Post

Eyes, hair, mouth: Darkie Armo Girl at Finborough Theatre

Image
Darkie Armo Girl, Karine Bedrossian’s electrifying one-woman show, commands attention from the moment it begins. First performed in 2022 and revived last year, it now returns for extra performance and it's an event not to miss. The show takes you through the thrills and horrors of a hectic life. She struts, shimmies, and taunts while revealing some horrific truths. She is such an irresistible storyteller that you find yourself hooked. The story is one of fame, glamour, abuse, self-harm, and suicide. If that subject matter doesn't sound like your cup of tea, you haven't seen it delivered with such high energy and provocation. It's currently at the Finborough Theatre . The show's title refers to a slur a popular girl at school once called her. Her ancestry is Armenian, and her parents were from Cyprus, where they fled the civil war and arrived in the UK with nothing. Shortly after she was born in Roehampton. The birth was an emergency C-section that left the baby and ...

Triumph of the barihunks and projectionists: Don Giovanni @RoyalOpera

Opening night of the Royal Opera's new production of Don Giovanni shows that with the right cast and a few modern elements you can deliver a dazzling and memorable production that is sexy, funny and musically memorable.

Original barihunk, Mariusz Kwiecień plays Don Giovanni. He looks the part and is charismatic enough to almost made you forget that he sounded a little tentative in the early part of the evening. His final damnation in this production appears to be that he is left alone rather than dragged down to hell to be left alone to contemplate hell and his hunky self.


Alex Esposito as Leporello delivers a musically comic performance as his servant and chronicler of his exploits, making a memorably sleazy rendition of "Madamina, il catalogo è questo". The comic timing between him and Kwiecień also give this production some of its lightness.

And the ladies were equally strong and appealing as well. Malin Byström as Donna Anna makes the music seem so easy and so rounded. Véronique Gens as Donna Elvira who takes pity on the Don in her aria "Mi tradi" was another vocal highlight of the evening (if you weren't distracted too much by the giant ravens... At one point I thought the action was being transplanted to Bodega Bay).

Much talk about the production will focus around the projections, which probably are the most extensively used for any production at the Royal Opera. As the overture commences, the names of Don Giovanni's conquests from Leporello's journal are projected over Es Devlin's set and multiply until they are unreadable eliciting laughs from the audience.

This is just a taste of the dazzling array of video projections by Luke Halls that dominate the proceedings and take on such a life of their own they could be confused for another performer.

It was not to everyone's taste and their were audible boos from the amphitheatre but for the most part this mix of old and new styles was incredibly effective.

Great music and singing and a stylish production, this run has sold out but day seats are available and there will be a live screening in cinemas later this month...



Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre