Featured Post

Wine time: The Frogs - Southwark Playhouse

Image
For a show called The Frogs, there isn’t much amphibian activity in the piece. But being a show with music by Stephen Sondheim, you could be mistaken for thinking it’s a critical theatrical piece. But like Sondheim’s final musical playing at the National Theatre, while it may not be a musical that fills you with provocative thoughts, it’s a fast-paced romp through hell and back to save the world for the sake of arts. With rousing choruses, thrilling choreography and plenty of cheap laughs, what more can you want from the theatre? It’s currently playing at the Southwark Playhouse (Borough) . There isn’t much to the plot, except that Dionysus (Dan Buckley), disillusioned by the state of a divided world, and his sidekick and slave, Xanthias (Kevin McHale), cross the river Styx to the underworld to find a great writer who they can return to the world to teach the world about life. He has his mind set on bringing back George Bernard Shaw until he hears the poetry of Shakespeare.  This v...

Christmas Fare: A Christmas Carol @ORLTheatre

A Christmas Carol at the Old Red Lion Theatre is an enjoyable and evocative version of the tale that uses resourceful staging, some fine singing and subtle performances to tell Dickens' tale.

The story of ghosts, greed and goodwill is now a regular Christmas theatrical tradition and works best mixed with carols and some festive cheer.


There is a timeless element to this production. While there are nods to the Victorian period and the piece is faithful to the original story, the ensemble dress in contemporary clothes and use modern props as if to prompt you to ponder about the inequalities that exist today. There may not be workhouses but there still are the working poor.

Alexander McMorran as Scrooge is moody but never over the top. His transformation after being visited by the ghosts of past, present and future also avoids over-sentimentality.

The ensemble play a variety of characters but also provide vocal effects and commentary that add to the atmosphere and inventiveness of the piece. I particularly liked the interjection when Scrooge curses where they apologise for the audience having to see that.

An enjoyable 80 minutes of Christmas fare along with being a little thought-provoking as well. It runs through to January.

Photo credit: Production photo by Anna Söderblom

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre